It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 19, 2017, 10:26 AM
http://lesterbanks.com/2017/01/use-python-toggle-c...
If you find yourself constantly toggling the foreground and background visibility in Cinema 4D of a particular camera object, why not automate that process? Arthur works at Cocoa Media Productions in Finland, and here, shows The Post Use Python to Toggle Camera Visibility in C4D originally appeared and published on %%BLOGLINK%,by lesterbanks
January 19, 2017, 10:25 AM
http://lesterbanks.com/2017/01/set-shadow-catcher-...
RedShift is a GPU rendering engine. It is also production renderer. This means that Redshift has the tools and shaders that you need to work within a pipeline. Regarless of if you creating render passes, The Post How To Set Up a Shadow Catcher with RedShift originally appeared and published on %%BLOGLINK%,by lesterbanks
January 18, 2017, 06:19 AM
https://www.aotg.com/resolve-in-under-5-min-high-visibility-window-ou/
In this episode of DaVinci Resolve in Under 5 Minutes, Alexis Van Hurkman shows you how to enable high visibility outlines for your power windows.
January 18, 2017, 06:18 AM
https://www.aotg.com/fcpx-in-under-5-min-reducing-camera-shake/
In this episode, Steve walks you through how to use Final Cut Pro X's Stabilization effect to smooth out shaky footage.
January 17, 2017, 10:36 AM
http://lesterbanks.com/2017/01/explanation-skippin...
Animator’s professional and aspiring, you are both in for a treat. Felix Sputnik offers an in-depth explanation of skipping motion in animation. The explanation is meant as a guide to help animators understand the moment The Post In-Depth Explanation of the Skipping Motion in Animation originally appeared and published on %%BLOGLINK%,by lesterbanks
January 16, 2017, 06:02 PM
http://lesterbanks.com/2017/01/blackbird-vfxs-brea...
Blackbird VFX created FX shots for the TAC Australian Transport Accident Commission) commercial spot, posts a look into some of the process behind the project. The TV Spot shows some of the outcomes in a The Post Blackbird VFX’s Breakdown Shows Impressive Car Crash Views originally appeared and published on %%BLOGLINK%,by lesterbanks
January 16, 2017, 10:22 AM
http://lesterbanks.com/2017/01/modeling-raised-dia...
Adding small details to a larger overall form, while keeping nice topology is always the challenge with modeling. You don’t want to paint yourself in a corner where you need to follow through with what The Post Modeling a Raised Diamond Pattern in C4D originally appeared and published on %%BLOGLINK%,by lesterbanks
January 13, 2017, 10:41 AM
http://lesterbanks.com/2017/01/working-redshift-di...
Displacements are a great way to get details into models without adding geometry until render time. This concept is simple to understand, but a bit more challenging to implement. Autodesk Maya doesn’t show displacements live The Post Working With RedShift Displacements in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
January 11, 2017, 04:29 AM
https://www.aotg.com/how-to-find-menu-items-in-avid-media-composer/
A guide to quickly locate menu items in Avid Media Composer 8.6.
January 10, 2017, 05:30 PM
http://www.studiodaily.com/2017/01/rampant-vhs-eff...
Sean Mullen from Rampant Design walks viewers through the use of Rampant's new multi-layer template for adding and adjusting multiple types of VHS-era video distortion over otherwise clean footage. The post Rampant VHS Effect Premiere Pro (Tutorial) appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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