It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 9, 2017, 01:45 PM
http://lesterbanks.com/2017/02/use-parallax-offset...
Ever use Parallax Offset C4D? Bump Maps, Normal Maps, & Displacements. All those attributes can fit under a broad category when creating surfaces in 3D. Each has its own benefits and drawbacks. Bump mapping has The Post Use Parallax Offset to Squeak Out More Bump in C4D originally appeared and published on %%BLOGLINK%,by lesterbanks
February 8, 2017, 02:39 PM
http://www.postmagazine.com/Press-Center/Daily-New...
Earlier this month, Victoria Alonso, producer and executive vice president of physical production at Marvel Studios, was the recipient of the prestigious Visionary Award from the Visual Effects Society (VES). According to the VES, the visual effects industry’s professional global honorary society, the award was presented in recognition of her “enormous contributions to visual arts and filmed entertainment” and “for her dedication to the industry and advancement of unforgettable story...
February 8, 2017, 10:30 AM
http://www.hollywoodnews.com/2017/02/08/ves-awards...
Last night, the Visual Effects Society handed out their awards at their annual gathering. It was mainly a good night for The Jungle Book, which took the top prize, known as Outstanding Visual Effects in a Photoreal Feature. It beat back Doctor Strange, Fantastic Beasts and Where to Find Them, Miss Peregrine’s Home For Peculiar Children, and Rogue One: A Star Wars Story, while at the Academy Awards, it’ll be up against Deepwater Horizon, Doctor Strange, Kubo and the Two Strings, and Rogue One...
February 8, 2017, 10:30 AM
https://www.fxguide.com/quicktakes/15th-annual-ves...
Comedian Patton Oswalt served as host to the more than 1000 guests gathered at the Beverly Hilton to celebrate VFX talent in 24 awards categories and herald the 20th anniversary of the Visual Effects Society.
February 8, 2017, 07:13 AM
http://www.artofvfx.com/15th-annual-ves-awards-the...
And the winners of the 15th Annual VES Awards of the Visual Effects Society are...
February 8, 2017, 07:12 AM
http://www.ssninsider.com/ves-awards-winners-nicol...
VES Awards Winners, Nicole Kidman and ‘The Expatriates,’ Richard Armitage in Julie Delpy Film
February 7, 2017, 06:46 AM
http://www.awn.com/animationworld/explore-vfx-laik...
From environments spanning the Snowy Plains, the Underwater Garden of Eyes, and the mysterious Hall of Bones, to effects such as massive water simulations, disintegrating magical boats, and digital set extensions, explore the VFX of LAIKA head Travis Knight’s Oscar-nominated directorial debut.
February 6, 2017, 05:34 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — The winners of the Directors Guild of America Outstanding Directorial Achievement Awards for 2016 were announced recently during the 69th Annual DGA Awards at the Beverly Hilton in Beverly Hills. Damien Chazelle won the DGA’s Award for Outstanding Directorial Achievement in Feature Film for La La Land. Actress Jane Lynch hosted the ceremony before an audience of more than 1,200 guests. Presenters included Amy Adams, Michael Apted, Casey Affleck, Paris Barclay, Martha Coolid...
February 6, 2017, 05:33 PM
http://lesterbanks.com/2017/02/working-arnold-maya...
Look Dev and Lighting TD Arvid Schneider offers us an in-depth look into how to create production tested render layers With Arnold, and Maya’s Render Setup. It wasn’t too long ago (Maya 2016 Extension release) The Post Working With Arnold and Maya’s Render Setup originally appeared and published on %%BLOGLINK%,by lesterbanks
February 6, 2017, 05:33 PM
http://www.broadcastbeat.com/animation-workers-set...
Earlier this week, animation workers settled a $100 million lawsuit against Disney, Pixar and LucasFilm for a wage fixing conspiracy that dates back to the 1980’s. The claim was that the defendants in the case had conspired to violate anti-trust laws that related to wage fixing through what is known as anti-poaching agreements. A hearing ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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