It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 10, 2018, 04:27 AM
https://www.youtube.com/watch?v=A4q_9MR4jOM
Avid Audio Solution Specialist Simon Sherbourne introduces the Facebook Spatial Workstation suite of plug-ins for building, auditioning and mastering an Ambisonics mix that is included with Pro Tools | Ultimate. MORE TUTORIALS AT https://www.avid.com/pro-tools-ultimate/learn-and-support#Tutorials
August 9, 2018, 04:23 PM
https://www.provideocoalition.com/review-zoom-ssh-...
This article review is mostly about the Zoom SSH-6 (stereo) shotgun microphone (with mono mode), and partially about the Zoom H5 recorder. It’s also about how I have been using these two Zoom products together with the (previously reviewed) ModMic 5 head microphone and the RØDE VLR+ to create an extremely powerful yet compact in-field interview kit.
August 8, 2018, 04:32 PM
https://postperspective.com/sound-lounge-mad-hat-t...
Sound Lounge has partnered with Atlanta’s Mad Hat Creative to bring its Sound Lounge Everywhere remote collaboration service to the Southeast. Sound Lounge Everywhere will allow advertising, broadcast and corporate clients in Atlanta and neighboring states to work with Sound Lounge sound editors, designers and mixers in New York in realtime and share high-quality audio and video. Continue reading → August 8, 2018 The post Sound Lounge, Mad Hat team on Sound Lounge Everywhere Atlanta ap...
August 8, 2018, 07:47 AM
https://www.aotg.com/calrec-audio-consoles-see-major-success-in-korea/
The past year has seen Calrec Audio generate serious momentum in the Korean broadcasting market with the sale of its audio consoles and AoIP interfaces to several Korean broadcasters. This includes the first Brio36 sale in Korea, which was purchased by the Hyundai Home Shopping Network.
#calrecAugust 7, 2018, 07:06 AM
https://www.aotg.com/motor-trend-channel-hits-the-road-with-wisycom/
Company’s Transmitters and Receivers Boost Audio During Field Shoots Of the Media Outlet’s Range Rover SVR Test Drive
#wisycomAugust 6, 2018, 05:05 PM
http://www.studiodaily.com/2018/08/experiential-so...
NYC studio Sonic Union hired composer and mixer Rob Ballingall to work on immersive experiences and other emerging technology projects out of the company’s locations in Bryant Park and Union Square. Most recently at Nylon Studios, Ballingall has a résumé that includes compositions for clients including Ford, Kellogg’s and Walmart and sound design and engineering […] The post Experiential Sound Designer Rob Ballingall Joins NYC’s Sonic Union appeared first on Studio Daily.
August 6, 2018, 05:05 PM
https://www.avnetwork.com/news/production-sound-mi...
Tom Cruise, who famously performs many of his own stunts, doubles down on the derring-do in Mission: Impossible — Fallout, the latest installment of the spy thriller franchise. Multi-award-winning British production sound mixer Chris Munro had to up his game to cleanly capture Cruise’s dialogue as the action star clambered aboard a moving helicopter, leaped from a high-altitude jet and sped through the streets of Paris, using Lectrosonics PDR Portable Digital Audio Recorders, as well as his ...
August 6, 2018, 06:45 AM
https://www.aotg.com/jimmy-swaggart-spreads-the-word-with-calrec/
Reverend Jimmy Swaggart, well-known Pentecostal evangelist, has invested in two Calrec consoles to ensure his message is always clear. Swaggart’s SonLife Broadcasting Network (SBN) now relies on Summa and Brio consoles for all its live broadcasts.
#calrecAugust 6, 2018, 05:18 AM
https://sonicscoop.com/2018/08/06/recording-studio...
The nature of music. Nothing less than this is what the studio known humbly as Audioguy is on a quest to discover.
August 5, 2018, 09:22 AM
https://nofilmschool.com/2018/08/4-pro-tips-will-h...
What does it take to record pro-quality sound while shooting on location? Sure, you need a decent microphone (that's kind of a given), but what are some essential techniques that you can put into practice today that will not only give you audio that sounds good but also sound that is dimensional and works well with your story? In this video, Aputure's Ted Sim talks with Location Sound Mixer Andrew Jones about how to record better audio for films, videos, and other cinematic projects.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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