It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 21, 2014, 04:49 AM
http://filmmakermagazine.com/87980-editing-today-b...
David Lean once called editing the soul of filmmaking. Today it’s more like the Mission Control.
October 21, 2014, 04:48 AM
http://filmink.com.au/news/whats-wrong-with-the-au...
Our editors aren’t given the chance to direct! They spend a lot of time inside, tend to be pale, and flinch slightly in the presence of directors. Imaginative and unappreciated, they’re a great untapped resource of this nation. No, I’m not talking about bloody writers. I’m talking about editors. In particular, editors who aren’t given the chance to direct, and it’s ruining our industry. How? I’ll tell you.
October 21, 2014, 04:46 AM
http://provideocoalition.com/ryoung/story/gone-gir...
You can join Adobe for a panel discussion with the editorial and post-production team behind the movie Gone Girl from director David Fincher. As you may have heard, the Fincher team leveraged Adobe Premiere Pro and After Effects in a workflow based on RED Dragon 6K raw footage files framed in 5K.
October 20, 2014, 12:44 PM
http://www.edaeditores.org/entrevista-edu-lopez/
El último 21 de septiembre falleció Eduardo López, destacado montajista de la historia del cine argentino y excelente persona y amigo. Habíamos publicado previamente una breve reseña sobre su trayectoria como compaginador. Entre sus reconocimientos más destacados se encuentran el Cóndor de Plata por mejor compaginación en “Últimos días de la victima” (1981) y por “Tiempo de Revancha” (1982) Queremos complementar el […]
October 20, 2014, 04:43 AM
http://www.thepoweredit.com/kill-the-dracula-habit...
Halloween approaches, and so does a nasty little habit that snags virtually everyone when editing. This habit is diabolical, an insidious practice that plays Dracula to your time, sucking out the very lifeblood of your edit. Mountains of research suggest that overindulging in this practice not only murders your productivity, but it could literally shrink […]
October 20, 2014, 04:37 AM
http://www.goldderby.com/news/7484/oscars-predicti...
When you look over our Experts' Oscar predictions at this point on the calendar – more than three months before nominations will be announced – I know what you're thinking: "Those pompous pundits can't possibly know what they're talking about. Most of these films haven't even opened in theaters yet!"
October 19, 2014, 12:44 PM
http://www.edaeditores.org/charla-de-musicalizacio...
Continuando con nuestro ciclo de charlas mensuales gratuitas, los invitamos a participar de una “Charla sobre Musicalizalización” a cargo de Eric Kuschevatzky en el que se explicarán etapas de producción fílmica: – Focalizado en post-produccion. – Desarrollo e implementación de un Spotting (análisis de la película y determinación de las escenas que requieran música basándose tanto en el concepto visual, como dramático). – Tecnica de analisis conceptual en ...
October 18, 2014, 08:06 AM
http://www.screeneditors.com.au/digistor-appoints-...
Media & Entertainment, 3D and Animation Sales Consultant Joins Digistor Sydney, Australia – Digital media integration solutions specialist, Digistor Pty Ltd, has appointed Darren Godwin as a 3D & Animation Sales Consultant. Darren, an experienced 3D specialist, will provide consultative sales services to customers in the visual effects (VFX), post- production, games, visualisation and architectural [...]
October 18, 2014, 08:06 AM
http://www.screeneditors.com.au/meet-the-sponsor-v...
ASE Gold sponsors Videocraft recently worked with Macquarie University on designing and building a new studio, editing and training facilities. Sydney, 14 August 2014 – Macquarie University prides itself on providing its students with the very best courses using the latest and most advanced equipment. When it was decided that the university would run two [...]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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