It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 14, 2014, 12:00 PM
http://robgwilson.com/2014/10/14/indiewire-wrote-a...
Check out this link and read the interview with Jenna Ricker, director of The American Side (edited by yours truly).Filed under: Narrative, What I'm Working On Tagged: buffalo, editing, editor, film, filmmaking, greg stuhr, jenna ricker, robert vaughn, woodstock film festival
October 14, 2014, 11:59 AM
http://variety.com/2014/film/news/shoonmaker-scors...
LYON – Martin Scorsese has influenced generations of new filmmakers. But who and what films influenced Scorsese? One front-runner: “The Tales of Hoffmann,” Michael Powell and Emeric Pressburger’s 1951 adaptation of Jacques Offenbach’s opera, which liberated the duo from the constraints of early 1950s’ sound cinema.
October 14, 2014, 09:14 AM
http://www.fcp.co/final-cut-pro/tutorials/1520-the...
Given two weeks, everybody can edit a piece on FCPX. That's a completely different matter when you've only got a couple of hours before you need to deliver or broadcast your edit. Ten great FCPX tips from Peter Wiggins to help everyone.
October 14, 2014, 09:14 AM
http://feedproxy.google.com/~r/industryhappenings/...
Paul Whitehead leads this course for assistant editors. Learn what an editor’s assistant is required to do for a picture including technical and workflow needs in the editing room. It covers roles and how assistants can be creatively vital.
October 14, 2014, 09:13 AM
http://www.cceditors.ca/haida-paul-january-20-1937...
On the morning of September 25nd, 2014, a group of family members, friends and colleagues gathered in North Vancouver to pay their respects to Haida Paul, who, for much of her extraordinary life, represented better than anyone else the joy of film making and the spirit of irreverence and independence that has always distinguished the
October 14, 2014, 09:12 AM
https://www.youtube.com/watch?v=2B3yxgokjL4
This week on MacBreak Studio, Mark Spencer shows Steve Martin from Ripple Training how to work with the powerful Custom title, and how to supercharge it with...
October 14, 2014, 04:43 AM
https://www.aotg.com/top-10-slow-mo-moments-of-all-time-2/
Slow Motion is one of the oldest (and best!) tricks in the filmmaker’s playbook. Showing the action at half speed can add gravitas, drama, or old-fashioned...
October 13, 2014, 04:24 PM
https://www.aotg.com/adobe-max-2014-day-1-keynote-creative-profile/
Adobe MAX 2014 - Day 1 Opening Session. Part 2 of the MAX Day one keynote is all about the Creative Profile in Creative Cloud. Your Creative Profile connects...
October 13, 2014, 04:24 PM
http://www.scriptmag.com/features/breaking-hollywo...
Gary W. Goldstein has produced some of Hollywood biggest box-office hits (Pretty Woman, Under Siege, The Mothman Prophecies), generating well over One Billion Dollars in worldwide revenue, receiving multiple Academy Award nominations, a Golden Globe and numerous other accolades.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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