It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 16, 2018, 09:31 AM
http://www.fcp.co/final-cut-pro/articles/2076-chri...
Need to integrate FCPX with Adobe's After Effects? Chris Fenwick runs through his workflow when using the two apps together and gives us some great tips in the process.
May 16, 2018, 08:58 AM
https://jonnyelwyn.co.uk/film-and-video-editing/co...
Which colour profile should you set your monitor to for video editing? What’s the difference between sRGB, Adobe RGB, DCI-P3 and others? What colour space is my NLE using? How do I correctly colour grade for internet delivery?
#video editing#colour management#rgb vs srgbMay 16, 2018, 05:58 AM
http://www.broadcastbeat.com/colour-me-intrigued-v...
Colour your production with vMix 21! vMix 21 has opened the door for unparalleled professional production workflows with the addition of professional colour correction tools. This version includes real-time 3-way colour correction for live video productions where users can adjust lift, gamma and gain and view any changes through the built-in vectorscope and waveform monitor. ...
May 15, 2018, 02:38 PM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Hey folks - We have a new Trapcode Particular 3 tutorial from Harry Frank that will show you some awesome mograph techniques and help you save a ton of time! The post Using Particular with Master Properties appeared first on Red Giant.
May 15, 2018, 10:50 AM
https://www.aotg.com/calrec-installed-in-tilts-mobile-production-unit/
Madrid-based Tilt, a bespoke audio and video broadcast service provider, is reaping the benefits of a 48-fader Artemis Light console from Calrec for its UM003HD mobile production unit. Tilt’s business has grown considerably in the past year as it works with a variety of customers in live production across sports, music events, commercials and documentaries.
#calrecMay 15, 2018, 07:13 AM
http://www.premierebro.com/blog/premiere-pro-trans...
FILMIMPACT.NET’S NEW TRANSITION PACK 4 FOR PREMIERE PRO IS THE BEST BANG FOR YOUR BUCK. In this post, we look at the new Transition Pack 4 from FilmImpact.net, and how these professional and affordable transitions can impact your edit points. Make sure you read to the end for a limited-time FilmImpact.net discount, and information on how to get 5 free FilmImpact.net transitions!
#adobe#premiere pro#free#transitions#filmimpactMay 15, 2018, 04:40 AM
http://www.cgmeetup.net/home/the-greatest-showman-...
Rodeo FX – Working closely with the film’s production team, and on-set with director Michael Gracey, our team delivered 85 shots for The Greatest Showman.
May 14, 2018, 04:54 PM
http://www.studiodaily.com/2018/05/vfx-producer-st...
The Canadian operations of Method Studios and Encore have a new boss, as parent Deluxe Entertainment Services Group names Steve Garrad head of studio, Vancouver. Garrad will report to Ed Ulbrich, president of Deluxe VFX. “He’s well respected and well liked in the Vancouver creative community and across the industry,” said Ulbrich in a prepared […] The post VFX Producer Steve Garrad to Head Method Studios and Encore in Vancouver appeared first on Studio Daily.
May 14, 2018, 01:23 PM
https://fxfactory.com/blog/effects-2/comic-pack-fo...
5 freeze frame transitions to simulate classic comics and cartoon styles.
May 14, 2018, 06:52 AM
https://digitalfilms.wordpress.com/2018/05/13/prem...
Over the years, a lot of the projects that I’ve edited have been based on real-person interviews. This includes documentaries, commercials, and corporate video. As the cost of camera gear has come down and DSLRs became capable of delivering quality video, interview-based production now almost always utilizes multiple cameras. Directors will typically record these sections […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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