To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
BorisFX BCC 10
November 27, 2016, 01:40 PM
https://digitalfilms.wordpress.com/2016/11/27/bori...
Boris Continuum Complete (BCC) by BorisFX is the epitome of the term “Swiss Army knife” when it comes to talking about plug-ins. Most editors will pick this package over others, if they can only have one toolkit to cover a diverse range of picture enhancements. In the past year, BorisFX has upgraded this toolkit with […]
Sunday Sound Thought 48 – Tension in Rhythm
November 27, 2016, 01:40 PM
http://designingsound.org/2016/11/sunday-sound-tho...
As the year continues, many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span… One of the most effective uses of sound design that I heard […]
EDA PRESENTE EN LAS PELÍCULAS PREMIADAS DEL 31 FE
November 27, 2016, 01:40 PM
http://edaeditores.org/felicitaciones-a-los-socios...
Con mucho orgullo queremos felicitar a los socios y socias de EDA que participaron en las películas premiadas del 31 Festival Internacional de cine de Mar del Plata: PREMIOS OFICIALES Competencia Argentina Mejor Largometraje “El aprendiz” de Tomás De Leone Editor: Iair Michel Attias Continuista/Segundo de dirección: Hernán Figueroa Jefa de producción: Virginia Tournour DAC […]
Victoria Event 3rd December: Christmas Party
November 27, 2016, 01:39 PM
http://www.screeneditors.com.au/victoria-event-3rd...
Bob Iger, Disney CEO, on Shanghai, Tom Staggs and
November 26, 2016, 07:00 AM
http://variety.com/2016/film/features/bob-iger-dis...
Bob Iger’s audacious moves have turned Disney into the gold standard of media companies — but he still thinks there’s room for improvement.
Tested - Conformalizer 4.1 By The Cargo Cult
November 26, 2016, 06:59 AM
https://www.aotg.com/tested-conformalizer-4-1-by-the-cargo-cult/
team member Alan Sallabank went out and shot a raft of footage and then produced two edits of the same footage, in fact he reversed the cuts, and then loaded both video files into Conformalizer 4.1 and tried it out.
This is how we made televisions back in 1959
November 25, 2016, 07:27 PM
http://www.redsharknews.com/distribution/item/3961...
A documentary about television manufacturing from back in the day sheds light on just how far we've come. TelevisionmanufacturingDocumentaryvideoNostalgia
ART OF THE CUT with the editors of Stranger Things
November 25, 2016, 10:50 AM
http://www.provideocoalition.com/art-cut-editors-s...
Kevin Ross and Dean Zimmerman are the editors behind the cultural phenomenon that is Stranger Things. If you haven’t binge watched this series yet, I suggest heading over to Netflix and starting a mini-marathon now – there are only eight episodes in season one. Dean Zimmerman’s credits include Night At the Museum 3, Night at The post ART OF THE CUT with the editors of Stranger Things appeared first on ProVideo Coalition.
Community Field Recording Tips From creativefieldr
November 25, 2016, 06:32 AM
http://designingsound.org/2016/11/community-field-...
In a recent article over at creativefieldrecording.com, Paul Virostek shares a range of insightful community tips on field recording collected during his field recording survey. You can read the full article here.
Cargo Cult Conformalizer 4.1 Introduces Video Comp
November 25, 2016, 06:32 AM
http://designingsound.org/2016/11/cargo-cult-confo...
The latest version of Cargo Cult’s post production tool Conformalizer, which allows sound editors to automatically conform and rebalance audio data to match a changed picture cut, now comes with a new Video Compare feature which works out picture changes using video alone & without the need of EDLs or change notes. You can watch the feature […]
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