To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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NewBlueFX Titler Pro AE Import
April 3, 2018, 12:30 PM
https://www.toolfarm.com/blog/entry/tutorial_newbl...
If you use Adobe After Effects, you can export compositions, with changeable variables, from After Effects into a Titler Pro project, which can be used to create Titler Pro templates.
EditShare Deters Cyber Threats withNew XStream EFS
April 3, 2018, 12:30 PM
https://news.creativecow.net/story/892768
(Basingstoke, UK--April 3, 2018) EditShare, a technology leader in intelligent shared storage, AQC and media management solutions, announced the availability of the new XStream EFS Auditing capabilities, aligning with industry standard best practices for security against cyber attacks and hacks. XStream EFS File Auditing records every log-in/log-out, media space mount, file open read, move, copy or delete. The visually intuitive EFS Auditing Analysis Dashboard makes it easy to sort through file ...
Tutorial - Trapcode Particular 3 Training Series
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https://www.toolfarm.com/blog/entry/tutorial_trapc...
Red Giant has a nice little 14-part series on Particular to get you up and running fast with your plug-ins. Learn all about emitters, physics, and everything else!
Tutorial: Trapcode Particular 3 Training Series
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https://www.toolfarm.com/blog/entry/tutorial_trapc...
Adobe Premiere Pro 2018 NAB Update
April 3, 2018, 09:46 AM
https://www.provideocoalition.com/adobe-premiere-p...
Trade show time! You know what that means, it’s also time for another big update to the Adobe Creative Cloud suite of video tools and, of course, Adobe Premiere Pro. This NAB season is no exception and while PPro doesn’t get a lot of big, never-before-seen, long-in-the-making, Earth-shattering new features we do get several nice enhancements to some existing tools. Those utilize some of the often talked about by Adobe magic they call Adobe Sensei. If you’ve watched any Adobe MAX keynotes o...
TOMB RAIDER: Glenn Melenhorst - VFX Supervisor
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http://www.artofvfx.com/tomb-raider-glenn-melenhor...
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Hindenburg adds -14 LUFS & Avid Pro Tools interope
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https://www.provideocoalition.com/hindenburg-adds-...
Hindenburg has just informed me officially that at NAB 2018 next week, they’ll be announcing a few new key features to several Hindenburg programs. As I covered in my recent How many LUFS for ideal audio loudness? Why can’t we be friends?, both Amazon Echo/Alexa and Spotify are requesting audio loudness at -14 LUFS. Hindenburg is adding export options for -14 LUFS and also -18 LUFS for BBC productions. Hindenburg is also adding Pro Tools interoperability. Details and more news ahead.
Blackmagic's Fusion System used for Lifetime Movie
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https://www.tvtechnology.com/equipment/blackmagics...
CHICAGO—When it came to bringing my latest project—the thriller film “My Daughter Was Stolen,” which premiered on the Lifetime Movie Network March 9 after a run in select theaters—to life, I knew I could rely on Blackmagic Design for my production and post-production needs.
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