It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 18, 2018, 05:39 AM
https://www.pro-tools-expert.com/home-page/2018/6/...
Pro Tools Aggregate I/O and I/O Setup are a mystery to many. Simply defined, it allows you to configure Pro Tools for use with different Core Audio devices. You may ask yourself: Is it useful to me? Why do I need it? The truth is you may never need it, but that's for discussion on another day. This feature is about using Aggregate I/O and I/O Setup to speed up your workflow.
June 16, 2018, 02:01 PM
https://www.provideocoalition.com/review-antlion-a...
Antlion Audio’s new XLR Power Converter has a key feature not offered in RØDE’s VXLR+, and vice-versa.
June 14, 2018, 11:05 AM
https://www.pro-tools-expert.com/home-page/2015/8/...
In part 13 of our Getting To Grips With Pro Tools series, we are going to take a look at using the Edit & Mix group feature. For mixing this can be a real time saver. If you create a group of all your drum tracks, then when you hit Solo on the Snare track all the drum tracks will be soloed.
June 13, 2018, 04:44 PM
http://designingsound.org/2018/06/13/stephen-schap...
Having effective workflows is a key factor in all audio disciplines. Senior Sound Designer Stephen Schappler (Netherealm Studios, Mortal Combat X, Injustice 2) just shared an article on his blog on how he integrated the Elgato Stream Deck into his daily workflow with Reaper. You can read the full article here.
June 13, 2018, 01:45 PM
https://www.uaudio.com/blog/producer-presets-unpac...
Welcome to the first installment of “Producer Presets Unpacked,” where we’ll focus on a UAD plug-in preset and its designer – learning how they created it, why it works, and how pros use presets in their everyday workflow.
June 12, 2018, 04:31 AM
https://www.pro-tools-expert.com/home-page/2018/06...
In this free video tutorial brought to you in with the support of Plugin Alliance, Pro Tools Expert team member Julian Rodgers demonstrates using the Acme Audio Opticom XLA-3 Compressor On Drums. See how this valve optical compressor can be unlinked to increase stereo width and used with the dynamics section bypassed to introduce colour and distortion.
June 11, 2018, 09:28 AM
http://postperspective.com/behind-title-grey-ghost...
NAME: Greg Geitzenauer COMPANY: Minneapolis-based Grey Ghost Music CAN YOU DESCRIBE YOUR COMPANY? Side A: Music production, creative direction and licensing for the advertising and marketing industries. Side B: Audio post production for the advertising and marketing industries. WHAT’S YOUR JOB TITLE? Continue reading → June 11, 2018 The post Behind the Title: Grey Ghost Music mix engineer Greg Geitzenauer appeared first on Randi Altman's postPerspective.