To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
The Virtual Sound of Reality: AES 2016
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https://www.productionhub.com/blog/post/the-virtua...
This fall, audio professionals from all around the world convened at the 141st AES Convention in downtown LA to check out the leading-edge audio technology and gear of 2016. Not only was the Los Angeles Convention Center jammed with countless exhibit floors, but there was also a myriad of seminars where attendees gathered to gain insight on these new developments. Some of the highlights included VR/360° audio microphones, virtual microphones and ground-breaking audio plug-ins that now c...
Deluxe hires Walter Schonfeld as president of digi
October 17, 2016, 06:36 PM
http://postperspective.com/deluxe-hires-walter-sch...
Walter Schonfeld, formerly CEO of SDI Media Group and president of Technicolor Entertainment Services, has joined Deluxe as president, digital cinema global operations (DTDC). DTDC, a joint venture between entertainment services companies Deluxe and Technicolor, handles digital mastering, distribution and key management for feature film titles released worldwide. Continue reading →October 17, 2016
NewBlue’s Titler Live Broadcast now supports New
October 17, 2016, 06:36 PM
http://www.videoguys.com/blog/newblues-titler-live...
Loren Blake from The Broadcast Bridge discusses NewBlue’s Titler Live Broadcast software and how it supports NewTek’s NDI. Check it out here! NewBlue’s Titler Live Broadcast Uses NewTek’s NDI Beause NewBlue’s Titler Live Broadcast software is based on NDI for IP-based connectivity, it can talk to up to 16 devices from one computer. Now that NewBlue’s Read More The post NewBlue’s Titler Live Broadcast now supports NewTek’s NDI appeared first on Videoguys Blog.
How the Coen Brothers Edit for Dialog Scenes
October 17, 2016, 06:36 PM
http://nofilmschool.com/2016/02/how-pull-off-coen-...
Because, you know, someone putting a guy through a wood chipper is not actually funny, but for some damn reason when the Coens do it — with that stupid leg hanging out — it's comedic genius! Well, there is a method to their madness, namely in how they shoot dialog. Their approach to filming these classic shot/reverse shot sequences is explained in this video essay by Tony Zhou, from which we've highlighted the 5 things that the directors do to create that carnivalesque, "I'm terrified, but I...
THX Acquired By Razer
October 17, 2016, 06:35 PM
http://www.prnewswire.com/news-releases/thx-acquir...
SAN FRANCISCO, Oct. 17, 2016 /PRNewswire/ -- THX announced today that Razer™, the leading global lifestyle brand for gamers, has acquired the majority of the assets of THX Ltd. and brought onboard the management and employees of the company. THX will continue to operate as an independent entity under its own management and apart from the ongoing business of its parent company. Financial details of the transaction were not disclosed.
When I let the new AE prep a cut for network for t
October 17, 2016, 12:09 PM
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Rodeo FX Breathes Life into Tarzan
October 17, 2016, 10:30 AM
https://www.aotg.com/rodeo-fx-breathes-life-into-tarzan/
Over 200 VFX for Tarzan
DaVinci Resolve Studio Grades MAX's Music Video
October 17, 2016, 10:07 AM
https://www.aotg.com/davinci-resolve-studio-grades-maxs-music-video/
Blackmagic Design today announced that URSA Mini 4.6K EF was used to shoot the music video for “Lights Down Low” by MAX. Blackmagic Design Video Assist 4K was used for 4K monitoring and recording on the intensely packed two day shoot, while DaVinci Resolve Studio was used for color grading the video.
#color grading#post production#color correctionSAG-AFTRA Announces Interactive Strike On Video Ga
October 17, 2016, 09:23 AM
http://designingsound.org/2016/10/sag-aftra-announ...
SAG-AFTRA, an US labor union representing approximately 160,000 members working in the media industry has announced a strike, starting Friday 21st of October, on some of the worlds biggest Video Game Companies, including Activision, Disney Character Voices, Electronic Arts & Take 2 Interactive. Despite years of concerted effort and negotiating sessions, video game employers have […]
5 reasons why you need Asset Management in Post [S
October 17, 2016, 09:23 AM
http://www.redsharknews.com/post/item/3869-5-reaso...
We’re all living inside a giant media asset management system. It’s called the universe, and some remote parts of it run intelligent software called “Humans”. We somehow manage to keep track of a seemingly infinite mountain of assets. EditShareEditshare flowEditshare flow storyFlow StoryMAMPAMMedia asset managementAsset managementProduction assetsProduction asset management
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