To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Get Rid of ProRender Artifacts in C4D

November 11, 2017, 02:02 PM

http://lesterbanks.com/2017/11/get-rid-prorender-a...

You Might Experience Precision Artifacts When Rendering With ProRender — Here is How to Get Rid of Them Jonas Pilz shows how to get rid of strange render issues when rendering with ProRender in Cinema The Post How to Get Rid of ProRender Artifacts in C4D originally appeared and published on %%BLOGLINK%,by lesterbanks

DUIK + Path Point Access CC2018

November 11, 2017, 02:01 PM

https://www.aotg.com/duik-path-point-access-cc2018/

After Effects CC2018 has new path point access, which you can rig up to work with DuIK, Check out the tutorial on how to do it.

Behind the Titles: Something’s Awry Productions

November 10, 2017, 06:04 PM

http://postperspective.com/behind-titles-something...

NAME: Amy Theorin NAME: Kris Theorin NAME: Kurtis Theorin COMPANY: Something’s Awry Productions CAN YOU DESCRIBE YOUR COMPANY? We are a family owned production company that writes, Continue reading → November 10, 2017 The post Behind the Titles: Something’s Awry Productions appeared first on Randi Altman's postPerspective.

Week in Premiere 11/10/18

November 10, 2017, 01:37 PM

http://www.premierebro.com/weekinpr/week-in-premie...

PREMIERE PRO WEEK IN REVIEW: Stranger Things Mind Control Effect in Premiere Pro • SHOREBREAK Edited in Premiere Pro • Jarle's Presets 4.0 for Premiere Pro • Lots More FREE Premiere Pro Presets and Tutorials

Avid’s MediaCentral Platform Will Drive 4K Produ

November 10, 2017, 01:16 PM

http://www.studiodaily.com/2017/11/avids-mediacent...

Avid has entered an agreement with NHK that will see its MediaCentral platform, Media Composer software and Nexis storage systems drive 4K/UHD production workflow for the Japanese broadcaster. ”NHK, I think, is a precursor, especially with the Tokyo Olympics coming,” said Avid CEO Louis Hernandez in a conference call with investors yesterday. “All the broadcasters are […] The post Avid’s MediaCentral Platform Will Drive 4K Production at NHK appeared first on Studio Daily.

How to Apply the Golden Ratio to Animation

November 10, 2017, 07:08 AM

http://lesterbanks.com/2017/11/apply-golden-ratio-...

Award Winning Animator Matt Drummond Share His Observations of the Golden Ratio and Its Temporal Application in Creature Animation Feature Film Director and Emmy award-winning animator Matt Drummond studied the golden ratio and how it The Post How to Apply the Golden Ratio to Animation originally appeared and published on %%BLOGLINK%,by lesterbanks

Wisycom Introduces Fiber Solutions at Inter BEE

November 9, 2017, 09:26 AM

https://www.aotg.com/wisycom-introduces-fiber-solutions-at-inter-bee/

Wisycom, designer and builder of the most sophisticated RF solutions for broadcast, film and live production, will display its Bx1 Fiberbox with MFLC Compact Wideband Optical Link for the first time in Japan at this year's Inter BEE show.

#wisycom
Red Giant Announces Universe 2.2

November 8, 2017, 12:23 PM

https://www.aotg.com/red-giant-announces-universe-2-2/

11 new transitions brings collection of effects to a total of 76 tools. Now supporting Avid Media Composer. Red Giant Universe 2.2 makes its debut alongside new short film “Hewlogram.”

#vfx#red giant#filmmaking#motion graphics#short film#red giant films#hewlogram#stargate#david hewlett
Digital Production Buzz – November 9, 2017

November 8, 2017, 10:29 AM

http://www.digitalproductionbuzz.com/2017/11/digit...

Virtual Reality (VR) is captivating the imagination of many filmmakers. But what is it, how is it different from traditional film, and what do filmmakers need to know about it? This week, we answer those questions. Join host Larry Jordan as he talks with Michael Wohl, Michele Yamazaki, Matthew Celia, Andy Cochrane, Chris Bobotis, and James DeRuvo. Explaining 360/VR 360/VR Plug-ins - What's Available? Telling Stories With 360/VR VR Storytelling Requires New Skills A Developer's Pers...

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