It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 4, 2016, 05:20 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“The road to Hell is paved by Argent energy” — UAC ...
October 4, 2016, 05:19 AM
http://renderplease.com/post/151313821115
Depends on: where you work, the kind of people you work with, and what shift you have. But also...
October 4, 2016, 05:19 AM
http://edaeditores.org/eda-podcast-3-libros-de-cin...
Queremos compartir con ustedes una nueva entrega de #EDA_PODCAST. Este mes, sobre “Libros de cine y montaje” ¡Te invitamos a escucharlo!: http://bit.ly/2ck2mZE EDA PODCAST Nº3: Libros de cine y montaje En este podcast charlamos y debatimos sobre los libros de cine y montaje. También sobre publicaciones no dedicadas de lleno a este tema pero que sean […]
October 4, 2016, 05:19 AM
http://edaeditores.org/condor-de-plata-2016-los-no...
La Asociación de Cronistas Cinematográficos de la Argentina (ACCA) realizará el próximo 3 de octubre en la Sala Argentina del Centro Cultural Kirchner la 64 entrega de los Premios Cóndor de Plata, desde las 20 hs, con transmisión en vivo de la TV Pública. Habrá homenajes a Norma Aleandro, Hugo Arana, Oscar Barney-Finn, Bebe Kamin, […]
October 4, 2016, 05:19 AM
http://edaeditores.org/curso-de-estructura-dramati...
Con gran placer invitamos a inscribirse en el primer curso de estructura dramática y montaje en la Ciudad de Córdoba. Curso de estructura dramática y montaje DOCENTE: Ernesto Felder (SAE) SUPERVISIÓN EN BUENOS AIRES: Miguel Pérez (SAE, EDA) Metodología de trabajo: La clases serán presenciales y con un cupo máximo de 15 alumnos. Se trata […]
October 4, 2016, 05:19 AM
https://www.inverse.com/article/21633-hbo-westworl...
he relationship between machines and humans is much more productive behind the scenes of the new HBO show Westworld than it is in front of the camera. Using real-world performances and digital effects, the show’s creators have raised the bar on the long tradition of humans playing robots, building hybrid performances appropriate for a show about the rise of artificial intelligence.
October 4, 2016, 05:18 AM
http://www.highsnobiety.com/2016/10/03/movies-art-...
Cinema is, of course, a visual medium. A good director is very much like a painter, responsible for creating a set of striking images that maintain your interest as a viewer. So it should come as little surprise to know that a film director would be inspired by works of visual art. But it is truly shocking to see just how many of your favorite movies have liberally borrowed from famous works of art, compiled into the hypnotic video seen above.
October 4, 2016, 05:18 AM
http://www.creativebloq.com/advice/9-ways-to-shine...
Professional animators of 3D movies need to be able to please both the director, with the quality of their work, and the producer, with their speed. As head of animation at Escape Studios my job is to make sure all my students are ready to succeed in today's animation industry. What follows are nine simple steps that all animators can take to make sure their workflow is good, fast and reliable.
October 4, 2016, 05:18 AM
http://cinescopophilia.com/use-luts-fcpx-casey-far...
Here’s a little guide on how to install and use FCPX LUT Utility to load your LUT of choice.
October 4, 2016, 05:18 AM
http://greyscalegorilla.com/2016/10/gsg-podcast-ep...
In this podcast, the GSG team discusses their favorite ways to customize Cinema 4D, season three of AskGSG, and the Cinema 4D Take System. Enjoy!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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