To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Just One Camera Position and A Little AE
May 22, 2014, 04:48 AM
http://www.videouniversity.com/just-one-camera-pos...
“There are no CG elements in the video. It’s all documentary footage arranged and collapsed together with After Effects. Compositing water is difficult. The basic strategy I worked out is to have the clips roll behind one another with the leading edge of the hind wave fitted frame by frame to the contour of the wave in front of it. The compositing was done using masks in After effects, which are key frame animated.”
NAB 2014: Gravity Editor Mark Sanger
May 21, 2014, 05:03 PM
http://www.youtube.com/watch?v=yI9038stqBI&feature...
NAB 2014: Gravity Editor Mark Sanger Mark Sanger, the Oscar-winning editor of Gravity stopped by the postPerspective booth to talk about working with director Alfonso Cuarón. Special thanks to D... From: postPerspective Views: 43 0 ratings Time: 11:01 More in Film & Animation
BCC Lite – FAQs
May 21, 2014, 12:37 PM
http://www.borisfx.com/blog/2014/05/21/bcc-lite-fa...
We’ve been getting a lot of questions from Avid users on what exactly is included in BCC Lite – the new sampler pack included in the recently released Avid Media Composer 8. Here’s your primer! BCC Lite features 4 carefully … Continue reading →
I Hve Absolutely NO Idea
May 21, 2014, 12:37 PM
http://normanhollyn.com/blog1/2014/05/21/what-the-...
Yes, yes, yes. We are having some big problems with the blog — which seems to have gone into the stratosphere. We’re working on this. And by “we” I mean me — unfortunately — and I have no idea what … Continue reading →
BCC Lite for Avid – The Perfect BCC Sampler
May 21, 2014, 12:37 PM
http://www.borisfx.com/blog/2014/05/21/bcc-lite-fo...
BCC Lite for Avid includes 4 powerful, high-performing, and very popular filters from a 200-strong BCC 9 filter set. Not only does it provides useful effects that empower the user to deliver higher production values than before, these filters were … Continue reading →
Canadian Cinema Editors Lifetime Achievement Award
May 21, 2014, 09:40 AM
http://www.cceditors.ca/canadian-cinema-editors-li...
The Canadian Cinema Editors (C.C.E.) is proud to announce the recipient of the 2014 Lifetime Achievement Award, Debra Karen. Debra’s success as an editor began early on, as she was editor of the classic Ivan Reitman film “Meatballs”, for which she was nominated for Best Editing at the 1980 Genies. She was again nominated for
After Effects Video Tutorial: Particle Dance
May 21, 2014, 09:40 AM
http://www.premiumbeat.com/blog/after-effects-vide...
Create a stunning particle dance effect in After Effects using Trapcode Particular.
Are Passion Projects a Waste?: 6 Filmmakers’ Per
May 21, 2014, 04:35 AM
https://www.themusicbed.com/community/passion-proj...
A recurring topic in our conversations with independent filmmakers is how personal/passion projects have either launched, sustained, or saved their careers. For some people, like Hunter Hampton, personal projects have kept them from jumping off a creative cliff. For others, like Khalid Mohtaseb, passion projects have become a surprisingly effective marketing strategy.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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