It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 14, 2014, 04:16 PM
http://blogs.adobe.com/premierepro/2014/10/biscard...
Full-service video production firm realizes efficiencies and plans for the future with Adobe Creative Cloud Walter Biscardi Jr. has worked with nearly every NLE during his long and successful career. He started editing in 1990 at CNN and was one of the network’s first Avid editors. In 1995, he moved to Foxwoods Resort Casino, designed a new production facility around Media 100, and then started his first company back in Atlanta, Georgia in 1998. After working with Final Cut Pro for 11 yea...
October 14, 2014, 04:16 PM
http://www.oblong.com/blog/posts/mit-news/
MIT News’ Rob Matheson did a deep dive on the Mezzanine platform for a recent piece, explaining how Oblong Industries brings gesture-control technology and the notion of “Infopresence” from the movie screen to corporate conference rooms.
October 14, 2014, 12:00 PM
http://www.digitalrebellion.com/blog/posts/kollabo...
We've just launched a major new version of Kollaborate on the cloud. With Kollaborate 1.2 we decided to address almost all of your top feature requests at once, including:FavoritesFavorite a file or comment to refer back to later. This is useful for creating to-do lists.Custom Departments and PositionsCustom departments and positions can be added on a per-project basis, allowing you to create private storage areas only a few users can see.Alias overhaulAliases have been redesigned and can n...
October 14, 2014, 12:00 PM
http://moviola.com/inside-hollywood/a-conversation...
Lillian discusses her approach to editing documentaries & how she finds herself on the right path in each narrative.
October 14, 2014, 12:00 PM
http://blogs.adobe.com/psirt/?p=1137
The following Security Bulletins have been posted today...
October 14, 2014, 09:13 AM
http://alex4d.com/notes/item/why-avid-is-no-1-in-h...
When Premiere and Final Cut users try to convince Avid editors that they are living in the past, they often don't understand the day-to-day experience of high-end TV and feature film post production. To provide an insight into why Avid is still number 1 in Hollywood, Chris Fenwick invited TV editor Austin Flack to talk on his Final Cut Pro X podcast: the FCPX Grill. If you don't have the time to listen to the whole 74 minute episode, here are my notes on what was said: [6:05] AF: I’...
October 14, 2014, 09:13 AM
http://www.redsharknews.com/technology/item/2098-a...
Here's a rare peek into the complexities you might encounter when writing NLE software for Linux. It's a constantly shifting platform, and even the most subtle changes can cause headaches for developers. But there's a good outcome: having solved the problem, the NLE code is more robust than ever. (This is also a good introduction into how a modern NLE copes with Long GOP footage). Lightworks Lead Developer Rob Fearnside shares his insights LinuxLinux NLELightworksLightworks for Linux
October 14, 2014, 09:13 AM
http://www.fcp.co/final-cut-pro/tutorials/1519-int...
In this week's trio of tutorials from Ripple Training, the guys look at custom titles from Motion, how to make bats swarm and also a quick basic 'how to' on timelapses in Final Cut Pro X.
October 14, 2014, 09:13 AM
http://provideocoalition.com/mspencer/story/intera...
Did you know you can do interactive, realtime title design directly inside Final Cut Pro X? This is the subject we tackle in this week's edition of MacBreak Studio. While Motion is the primary companion application for creating motion graphics for editors using Final Cut...
October 14, 2014, 09:12 AM
http://sportsvideo.org/main/blog/2014/10/david-fin...
David Fincher’s Gone Girl, which opened Oct. 3 to rave reviews and has secured the top spot at the box office the past two weekends, is the first major Hollywood feature film cut entirely in Adobe Premiere Pro CC. The post-production company made the decision switch from Final Cut Pro and use Premiere Pro CC because of its tight integration between Premiere Pro CC and After Effects CC, which allowed multiple editors and VFX artists to work on the same project. And, Premiere Pro CC was able to ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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