It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 10, 2014, 03:39 AM
http://www.fcp.co/final-cut-pro/news/1518-the-firs...
It's no secret now that the first major Hollywood studio feature film cut on FCPX is Focus staring Will Smith and Margot Robbie. Warner Brothers has just published the first trailer for the film and it looks pretty cool.
October 10, 2014, 03:37 AM
http://digitalcinemacafe.com/2014/10/09/fcg088-48-...
Danny Rubio is Executive Producer at Weber State University in Utah and manages multiple edit systems and editors and they work almost exclusively in FCPX. Recently a group of more than 20 students entered a 48 hour film festival where they entered a Musical submission. Danny has never cut on anything but FCPX. Hear his story from a fresh outlook without the baggage of the past.
October 10, 2014, 03:36 AM
http://www.fcptalent.com/job-available-tr-245-edit...
Job Available: TR-245 Editor Required – Final Cut Pro 7 – Sydney
October 9, 2014, 07:05 PM
http://www.creativeimpatience.com/premiere-pro-cli...
I’ve written a lot about Premiere Pro and metadata. Surprisingly, almost as an after thought, the solution was shipped in the October 2014 release of Creative Cloud applications. It is hiding in the preference panel under the “Media” tab, and is called “Write clip markers to XMP”. I believe this … see more →
October 9, 2014, 07:05 PM
http://postperspective.com/gaining-control-vfx-sho...
By Randi Altman During IBC this year, I saw a many companies, some I was familiar with and some that were new to me. One I was eager to get to know was SolidAnim. Alas, fate intervened. Well, more accurately, the size of the RAI Conventions Center where IBC took place intervened — it is […]The post Gaining more control over VFX shoots appeared first on postPerspective - Randi Altman's postPerspective.
October 9, 2014, 07:04 PM
https://fstoppers.com/editorial/red-giant-audiovid...
If you aren't using some sort of software to sync audio, you're sitting in your edit bay manually matching audio to video queues, be that sounds, video hints or timecodes. But what if you could just dump all your camera footage from an interview and all the audio from your recorder into one program and hit one button to sync them all quickly and accurately? You can with Red Giant Pluraleyes, and it's nearly perfect.
October 9, 2014, 07:04 PM
http://www.tuaw.com/2014/10/09/mac-ception/?ncid=r...
Sometimes you can't help but feel like you're just living inside your computer on a daily basis. Paul McCoubrie captured that feeling perfectly with this picture.
October 9, 2014, 07:04 PM
http://news.doddleme.com/equipment/adobe-max-previ...
Tablet based tools may be the future of Adobe Creative Cloud as this week at their annual MAX convention in Los Angeles, Adobe showed off some stunning tablet based tools which could unchain artists from a PC and still get the same results. And the possibilities are absolutely stunning.
October 9, 2014, 07:03 PM
http://blog.gilbertconsulting.com/2014/10/my-thoug...
I’m flying back from the Adobe MAX conference, and trying to process all that I heard and saw. Here are my conference take-aways...
October 9, 2014, 12:46 PM
http://blogs.adobe.com/premiereclip/2014/10/09/add...
With Premiere Clip, it’s easy to add a soundtrack to your project. Just tap the Musical Note icon at upper right and choose from themes we’ve included with Premiere Clip or add your own from your device’s music library. It’s worth checking out the 10 soundtracks included with the app—they cover a wide range of moods, and are royalty-free, so you can use them in anything, including commercial projects. Once you’ve added a theme to your project, you can adjust its volume. The Auto...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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