It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 8, 2014, 04:58 PM
http://postperspective.com/gone-girls-pioneering-6...
By Daniel Restuccio David Fincher’s Gone Girl, shot on a Red Dragon in 6K, boasts an innovative editorial workflow that integrates top-end hardware and software into a seamless 6K editing, VFX and conforming system. Pioneering a tightly integrated SSD shared-storage system, Gone Girl was edited on 13 custom-built workstations based on Apple Mac Pros and […]The post Pioneering 6K post workflows for ‘Gone Girl’ appeared first on postPerspective - Randi Altman's postPerspective.
October 8, 2014, 04:58 PM
http://blogs.adobe.com/creativecloudenterpriseupda...
This update provides a number of improvements and new features. These include: updated user interface design with support for HiDPI displays; match source options for QuickTime and MXF OP1a exports; support for Premiere Pro, After Effects, and FCP XML projects in watch folders; Destination Publishing for FTP and local Creative Cloud folders; encode/decode support for the GoPro CineForm codec; muxing of MPEG2 exports during the encode; XAVC CBG support; and a 25fps option for DCP exports.
October 8, 2014, 04:57 PM
http://provideocoalition.com/ryoung/story/animatio...
In addition to a new family of iOS mobile apps and enhanced Creative Cloud 2014.1 desktop tools, Adobe previewed in-development technologies in sneak peeks at Adobe MAX 2014.
October 8, 2014, 04:57 PM
http://www.tejbabra.com/2014/10/08/red-giant-shoot...
During the previous article , we began to dive deeper i […] The post Red Giant Shooter Suite Review Part 2 appeared first on Tej Babra.
October 8, 2014, 12:51 PM
http://www.premiumbeat.com/blog/three-premiere-pro...
These simple shortcuts can save you a TON of time in your edit bay. Take the time to integrate them into your editing workflow.
October 8, 2014, 12:50 PM
http://blogs.adobe.com/conversations/2014/10/the-c...
Sneaks Night at MAX is a longtime fan favorite and always packed to the rafters. It’s a rare preview of groundbreaking ideas and technologies percolating inside Adobe’s labs that some of our brightest minds have developed – from research interns to PhDs around the globe – that are pushing the boundaries of creativity. Over the years we’ve unveiled early developments during Sneaks that have become cornerstones of future products. A few recent favorites may ring a bell: Content Awar...
October 8, 2014, 12:50 PM
http://www.premiumbeat.com/blog/9-tips-for-stabili...
Going into the field without a tripod? Follow these tips to reduce camera shake.
October 8, 2014, 12:49 PM
http://www.hdwarrior.co.uk/2014/10/08/premiere-pro...
You have to hand it to Adobe they are on the ball with the latest codecs from Sony (XAVC) and Panasonic (AVC Ultra LongG) both files are accepted with no problems from the Panasonic PX270 and the Sony PXW-X70 camcorders. Apple are out on a limb once again with no support for XAVC or AVC LongG.
October 8, 2014, 12:27 PM
http://www.goingpostalshow.com/news-10082014.html
Full Coverage of MPEG Union Rally at Universal / Adobe MAX Updates / Disk formatting now on Blackmagic Cameras / Stereoscopic 360 Degree Video Camera being developed / Could Spiderman be joining the Avengers on the big screen?
October 8, 2014, 09:39 AM
http://www.finalcutpro.es/2014/10/noticia-nuevo-fi...
(Nota de prensa) Blackmagic Design anuncia nueva función para dar formato a dispositivos de almacenamiento en los modelos Cinema Camera y Pocket Cinema Camera Blackmagic Design anunció en el día de hoy el lanzamiento de Camera 1.9.7, una nueva versión del firmware para los modelos Cinema Camera y Pocket Cinema Camera que ofrece un panel de opciones innovador y la posibilidad de dar un formato optimizado a […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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