To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Canadian Screen Awards Gala Night 3

March 10, 2014, 04:46 AM

http://www.cceditors.ca/canadian-screen-awards-gal...

Good luck tonight to Canadian Cinema Editors member Matthew Hannam, nominated for the Canadian Screen Awards Achievement in Editing for “Enemy”. Click below for the online program: http://www.academy.ca/Canadian-Screen-Awards/2014-Program.html

Film and Music Converge On and Off Screen at SXSW

March 9, 2014, 06:42 PM

http://provideocoalition.com/adobe/story/film-and-...

Since 2009, Rob Bralver and Jeff Broadway of Gatling Pictures have worked together on documentary films that tell stories of social importance. Their latest project, OUR VINYL WEIGHS A TON (THIS IS STONES THROW RECORDS), explores the history of Stones Throw Records, a record label committed to independence and artistic freedom.

A Glimpse Of The Things To Come

March 9, 2014, 09:35 AM

http://www.creativeimpatience.com/a-glimpse-of-the...

If you have not yet seen David Helmly showcasing Premiere Pro performance on the new Mac Pro, and presenting a technology demo of RED footage GPU debayer, give it a look. I recommend watching it in its full 1080 resolution, you might spot some interesting details, most likely to appear … see more →

EditStock

March 9, 2014, 09:35 AM

http://splicevine.com/editstock/

EditStock could be your virtual apprenticeship, personal film school and so much more. LA-based, Film & TV editor and trainer Misha Tenenbaum reached out to us last month about a unique site and service he’s created. It’s called EditStock and it […]

Making-Of Doc - Taxi Driver from Script to Screen

March 9, 2014, 09:34 AM

http://nofilmschool.com/2014/03/making-of-doc-deco...

Studying films, whether they’re poorly or masterfully made, is one of the greatest ways you can educate yourself about how (not) to make a film. Martin Scorsese’s masterfully made Taxi Driver has been studied time and time again by experts, students, and enthusiasts, but in this 1999 documentary about the making of the film, we get to hear from the filmmakers themselves, including Scorsese, screenwriter Paul Schrader, DP Michael Chapman, editor Tom Rolf, the cast, and even legendary m...

Premiere Pro CC now supports Sony Raw

March 9, 2014, 09:33 AM

http://www.xdcam-user.com/2014/03/premiere-pro-cc-...

It appears that in the last update to Premiere Pro CC (version 7.2) Adobe included native support for Sony raw at 4K, 2K and HFR. If you are running Premiere CC and you still have the Sony Raw Plug-In installed it makes Premiere unresponsive and will result in a lot of “Media Pending” messages when you try to work with Raw footage. You must uninstall the Sony plug-in to work with raw from version 7.2 onwards...

Interview with Mark Sanger on the 3 year process o

March 8, 2014, 03:16 PM

http://www.cceditors.ca/interview-with-mark-sanger...

Oscar winning Picture Editor Mark Sanger on editing ‘Gravity’: “The film was blocked in the editing 18 months prior to shoot, in order to establish both what, but more crucially how we would shoot the story. The effect is an 11 and a half minute single shot but the reality is that it’s 3 years

Advancing Audio with JoeCo at BVExpo 2014

March 8, 2014, 03:16 PM

https://www.aotg.com/advancing-audio-with-joeco-at-bvexpo-2014/

While we were at BVExpo we had the opportunity to discover JoeCo - http://www.joeco.co.uk/main/index.html - , a dynamic company which makes multi-channel digital audio recorders. Joe Bull, Managing Director for JoeCo, walked us through how their signature audio recorders accomodate not just four or eight channels, but from 22 up to 64 channels.

March 25th BOSCPUG: Creating a Digital Cinema Pack

March 8, 2014, 03:15 PM

http://feedproxy.google.com/~r/industryhappenings/...

Join us this Tuesday, March 25th for the first of four special filmmaker events as part of Documentary and Film Festival month at BOSCPUG - in partnership with Bright Lights Film Series at Emerson College. Preparing Your Film for Festivals or Distribution? THEN DON’T MISS THIS! You’ve Spent a Lot of Effort in Getting Your Story to the Screen - Learn How to Distribute Your Work Properly! RSVP and Complete Details: http://boscpugmar25.eventbrite.com   Renowned colorist and...

Record Number of Submissions for 2014 CCE Awards

March 7, 2014, 03:10 PM

http://www.cceditors.ca/cce-awards-submissions/

Submissions to the 4th Annual Canadian Cinema Editors Awards are now closed. We’re pleased to announce that we received over 200 entries from across the country! A big thank you to our Platinum Sponsor ScreenLight for securely hosting those videos and coordinating the specific access for each juror. Nominees will be announced on Thursday, April 3, 2014.    

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