To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Building a massive editing storage setup on a budg
August 27, 2019, 01:23 PM
https://postperspective.com/building-a-massive-edi...
By Mike McCarthy “This year, I oversaw the editing process for a large international film production. This involved setting up a collaborative editing facility in the US, at Vasquez Saloon, with a large amount of high-speed storage for the source footage. While there was “only” 6.5TB of offline DNxHR files, they shot around 150TB of Red footage that we needed to have available for onsite VFX, Continue reading → August 27, 2019 The post Building a massive editing storage setup on a...
Emmy-Nominated Editor Leo Trombetta, ACE, on True
August 27, 2019, 06:48 AM
https://www.studiodaily.com/2019/08/emmy-nominated...
The third season of enigmatic crime drama True Detective from creator-writer-executive producer Nic Pizzolatto plays with perspective and narrative like few other shows on television. Mixing memories, both recalled and imagined, with intense action and psychological tension across three distinct time periods, this season earned the show nine Emmy nominations, including one for star Mahershala Ali and […] The post Emmy-Nominated Editor Leo Trombetta, ACE, on True Detective appeared first...
ASE WORKSHOPS – VICTORIA
August 23, 2019, 07:00 AM
https://www.screeneditors.com.au/ase-workshops-vic...
C&I Studios Relies on DaVinci Resolve 16 Studio
August 21, 2019, 09:11 AM
https://www.aotg.com/ci-studios-relies-on-davinci-resolve-16-studio/
Blackmagic Design today announced that C&I Studios, a global content creation agency, is using DaVinci Resolve 16 Studio’s new cut page for faster than ever editing. Relying on DaVinci Resolve 16 Studio for end to end post production, including editing, color grading, visual effects (VFX) and Fairlight audio, C&I Studios created a video for the John F. Kennedy Center for the Performing Arts showcasing one of its signature programs, Turnaround Arts.
#blackmagic design#davinci resolve studio#ursa mini pro#pocket cinema camera 4k*Alejandro del Prado, el eslabón perdido*, por Ca
August 21, 2019, 04:32 AM
http://saeditores.org/Novedades/Alejandro-del-Prad...
Una síntesis personal de la edición por sus artífices
Emmy-Nominated Editor Tom Jarvis on the Joy of Pau
August 21, 2019, 04:32 AM
https://www.studiodaily.com/2019/08/emmy-nominated...
U.K. native-turned-Angeleno Tom Jarvis brings wide-ranging experience to the editing room, thanks to a series of gigs cutting a variety of TV programs, including British series Big Brother, Britain’s Got Talent and The X Factor and stateside shows including The Grammys, the MTV Movie Awards, Dancing with the Stars, and America’s Got Talent. Since 2016, he’s been with The Late Late Show with James Corden, […] The post Emmy-Nominated Editor Tom Jarvis on the Joy of Paul McCa...
Warner Bros.
August 19, 2019, 12:27 PM
https://www.screeneditors.com.au/warner-bros/
Since entering the Australian market in mid-2015 Warner Bros. has become a major force in the local TV production scene. Warner Bros. makes a diverse range of top rating shows, from the highly successful Bachelor franchise, generating three separate series a year, to formats including First Dates, Little Big Shots, The Proposal, Dancing With The […]
Are you coming to the Inspire Media Conference?
August 19, 2019, 06:00 AM
https://www.provideocoalition.com/are-you-coming-t...
Haven’t been able to make it to Las Vegas for NAB Post|Production World? Can’t hit one of the many Future Media Concepts events around the country? Around Memphis, Tennesse on September 12 & 13, 2019? Then join us at the Inspire Media Conference for two days of learning and lunching about many things media. Rather... The post Are you coming to the Inspire Media Conference? appeared first on ProVideo Coalition.
How Mary Jo Markey ACE Enhanced the Clarity of The
August 17, 2019, 08:42 AM
https://www.youtube.com/watch?v=mjuoYrWddkw
Mary Jo Markey, ACE was tasked with bringing the final act of Star Wars the Force Awakens together in the edit room. She approached the X-Wing mission to destroy Starkiller Base with a 'less is more' philosophy that she explained here at our Sight, Sound and Story Event. Mary Jo Markey, ACE, is an accomplished editor in both film and television. After cutting a series of independent films and television movies, Markey began her collaboration with JJ Abrams as one of the editors of the ...
AJA I/O Hardware Helps Brainstorm Deliver Flexibl
August 16, 2019, 06:00 AM
https://www.broadcastbeat.com/aja-i-o-hardware-hel...
Spanish broadcast specialist company Brainstorm is known for creating sophisticated real-time 3D graphics and virtual set solutions used in broadcast, production and proAV environments around the world. The company, which recently celebrated its 25th year in business, services clients from its Madrid and Valencia headquarters as well as offices in the U.S., Mexico, Singapore and ...
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.