It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 3, 2016, 09:16 AM
http://www.artofvfx.com/star-trek-beyond-atomic-fi...
Interesting video by Autodesk with Kevin Baillie, VFX Supervisor and CEO, talking about the work of Atomic Fiction on STAR TREK BEYOND...
August 3, 2016, 09:16 AM
http://www.cgmeetup.net/home/uv-unwrapping-in-cine...
How to bring your c4d models to 3d coat, unwrap and then bring him back!
August 3, 2016, 09:16 AM
http://www.artofvfx.com/nerve-making-of-vfx-brains...
Here is the making of by Brainstorm Digital about their VFX work on NERVE...
August 3, 2016, 09:16 AM
http://sploid.gizmodo.com/how-pixar-uses-music-to-...
It’s not as simple as just playing sad music over sad scenes. No, Pixar plays with our emotions through music, sending out contrasting messages through what we see and what we hear to tear at our feelings even more. Which means, mixing happy music over sad scenes is how Pixar really gets us.
August 3, 2016, 08:00 AM
https://www.aotg.com/jason-bourne-graded-with-davinci-resolve-studio/
Blackmagic Design today announced that Goldcrest Post London used DaVinci Resolve Studio to complete the edit, color grade and HDR finishing for Universal Pictures’ “Jason Bourne,” in which Matt Damon returns to his most iconic role. The film is currently in cinemas.
#editing#grading#post production#hdrAugust 3, 2016, 06:06 AM
http://www.digimediapros.com/fcp-vs-premiere-pro-2...
The goal of this tutorial series, FCP vs Premiere Pro, is not to start a war or to convince people to use one app over the other, but to provide enough information so that users understand how to perform similar tasks in both apps. In this second episode, Marcelo Lewin and guest presenter Patrick Southern, will show you how the timeline works and how to bring footage into it in both FCP X and Adobe Premiere Pro.
August 3, 2016, 06:06 AM
http://www.digimediapros.com/autodesk-releases-may...
At SIGGRAPH 2016, Autodesk has unveiled Maya 2017, the latest update to its 3D modeling and animation software with Arnold as the default rendering engine. Read on to find out more.
August 3, 2016, 06:06 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“I don't want to be like them. They want to be like me.” — Jesse ...
August 3, 2016, 06:05 AM
http://designingsound.org/2016/08/evoking-emotion-...
When we discuss what makes the sound in any medium: film, music, video game, theater, etc. effective, it usually boils down to one of four aspects, and often all four: the detail in the design, the emotion conveyed, the way the sound meshes with the visuals, and the mix of the sonic elements. When […]
August 3, 2016, 06:04 AM
https://www.aotg.com/review-presonus-studio-192/
In this video James Ivey from Pro Tools Expert takes a close look at the PreSonus Studio 192 USB 3.0 audio interface. During a drum recording session James tries the Studio 192s 8 XMAX mic preamps recording a full drum kit and shows off some of the control features of the Studio 192 and the PreSonus Universal Control software application. Take a listen to just how clean the sound of the drums is with no inboard or outboard processing.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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