To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Milk provides 117 VFX shots for ‘Doctor Who’ d

August 29, 2014, 09:46 AM

http://postperspective.com/milk-provides-117-vfx-s...

The BBC’s Doctor Who is back, to the delight of television audiences worldwide. The series, which has gone through eight iterations over the years, recently had its season debut, and London-based VFX house Milk played a role. The studio created the visual effects for the premiere episode “Deep Breath,” which featured Peter Capaldi as Doctor […]The post Milk provides 117 VFX shots for ‘Doctor Who’ debut episode appeared first on postPerspective - Randi Altman's postPerspective.

Digital Nirvana Introduces New Media Management Pl

August 29, 2014, 04:40 AM

http://www.broadcastbeat.com/digital-nirvana-intro...

Fremont, CA – At IBC2014 in Amsterdam next month, Digital Nirvana will introduce its Media Management Platform, which offers a suite of applications that allows users to capture, edit, share, and manage content – as well as prove compliance, monitor and analyze video. Digital Nirvana will exhibit this platform in the booth of EMEA Gateway […]

LaCie launch 48TB 8big Rack Thunderbolt 2 - can bu

August 29, 2014, 04:40 AM

http://www.redsharknews.com/technology/item/1961-l...

LaCie have always been at the forefront of technology and were one of the first manufacturers to support Thunderbolt 2. They have now released a new rack mounted 8 disc array with Thunderbolt 2 connectivity and up to 48TB of storage in a single unit LaCieThunderbolt 2seagate

The Cross Over Show (feat. Alex MacLean)

August 29, 2014, 04:37 AM

http://digitalcinemacafe.com/2014/08/29/fcg076-the...

Viewer Questions & Color grading for dummies? Not exactly. On this special episode of The Grill, Alex MacLean, from digitalCINEMAcafe drops by the studio and we have a casual chat about Color grading practices, Alpha channels and the Tilde key, and we listen to YOUR voice mail messages that have been left for us on the digitalCINEMAcafe.com website.

Goldcrest Post Adds High End Picture Finishing

August 29, 2014, 04:36 AM

http://news.creativecow.net/story/876862

(Fremont, California--August 29, 2014) London’s Goldcrest Post continues the expansion of its Academy Award and BAFTA winning post production services with the addition of three new digital intermediate (DI) theatrical grading suites featuring DaVinci Resolve.

A Bunch of Random Hard Drive Speed Tests

August 28, 2014, 03:36 PM

http://provideocoalition.com/ssimmons/story/a-bunc...

As a freelance editor I get a lot of hard drives sent to me with footage to edit. Usually all of that media is transferred off of those hard drives and onto a RAID for editing. Occasionally I might have a quick turnaround or just fixes on a project and I’ll cut right off the hard drive sent to me. The faster the drive the better for both of these tasks. I’ve been keeping a running log of hard drive speeds for the last few months and with the help of Blackmagic’s Disk Speed test I offer...

Google buys Zync cloud rendering platform

August 28, 2014, 12:20 PM

http://postperspective.com/google-buys-zync-cloud-...

The Zync cloud-based rendering service, which has been used on major films, including Flight, American Hustle, Transformers: Dark of the Moon and others, has been bought by Google. That’s right, Google. The platform, supporting software such as Maya, Nuke, V-Ray, Mental Ray and Arnold, was created about five years ago by the owners of Boston’s […]The post Google buys Zync cloud rendering platform appeared first on postPerspective - Randi Altman's postPerspective.

Why Avid is No. 1 in Hollywood

August 28, 2014, 12:20 PM

http://alex4d.com/notes/item/why-avid-is-no-1-in-h...

When Premiere and Final Cut users try to convince Avid editors that they are living in the past, they often don't understand the day-to-day experience of high-end TV and feature film post production. To provide an insight into why Avid is still number 1 in Hollywood, Chris Fenwick invited TV editor Austin Flack to talk on his Final Cut Pro X podcast: the FCPX Grill. If you don't have the time to listen to the whole 74 minute episode, here are my notes on what was said: [6:05] AF: I’...

Imitating a Gradient or "Grad" Filter with a color

August 28, 2014, 12:19 PM

https://www.youtube.com/watch?v=1Ht-AiH25bI

Excerpt from our RippleTraining.com tutorial "Color Correction in Final Cut Pro X". Mark Spencer shows you how to edit your video using a color mask to imita...

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