To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

MEWShop Transitions to Premiere Pro for Workshop

February 11, 2014, 08:52 AM

http://www.prweb.com/releases/2014/02/prweb1157263...

Manhattan Edit Workshop recently announced enhancements to its flagship workshop, the Six Week Intensive. Following industry trends, MEWShop will be migrating the course from Apple® Final Cut Pro® 7 to Adobe® Premiere® Pro CC. In addition to Premiere Pro CC, the Six Week Intensive offers certified training in Final Cut Pro X, Avid Media Composer 7 and After Effects CC, as well as daily lessons in film theory.

#after effects#avid media composer 7#apple final cut pro x#adobe premiere pro cc#adobe after effects cc#artist in residence program
FCPX in action – editing under the gun

February 11, 2014, 05:48 AM

http://www.newsshooter.com/2014/02/11/fcpx-in-acti...

As a foreigner living in China and working in the world of news and documentaries I’ve had many a ‘crazy China’ experience, but one of my more memorable ones came recently. Just before Christmas I traveled to Guangzhou in Southern China, having been invited to be a tutor at a training initiative called DOCROADS. It was being held alongside the annual Guangzhou documentary film festival and was designed as a project-driven creative documentary workshop.

Mac Pro availability continues to deteriorate

February 11, 2014, 05:47 AM

http://9to5mac.com/2014/02/11/mac-pro-availability...

9to5Mac originally documented the supply issues with the new Mac Pro in December, but even today availability does not appear to have improved. In fact, it seems to be getting worse. Apple’s European, Chinese and Australian online stores (including the UK) are now reporting ‘April’ dispatch estimates.

Create Your Own HDR Day to Night Timelapse

February 11, 2014, 05:47 AM

http://www.toolfarm.com/blog/entry/tutorial_create...

As we continue into the 3rd hour of our Tutorial Tuesday 24 hour Extravaganza, we bring you Stefan Surmabojov showing how to create a groovy HDR timelapse image sequence with a day for night effect.

CCE Awards Submission Deadline: February 24th, 201

February 10, 2014, 06:18 PM

http://www.cceditors.ca/cce-awards-submission-dead...

Deadline for submissions to the 4th Annual Canadian Cinema Editors Awards has been extended to: MONDAY, FEBRUARY 24th, 2014 Please use the new CCE Awards Submission Form link: http://jotform.co/screenlight/cceditors If you have any problems uploading, please check that your video meets the technical specs at the bottom of the form. If it still doesn’t work,

Forbidden Technologies 2014 NAB Show Preview

February 10, 2014, 03:17 PM

http://soundandpicture.com/2014/02/forbidden-techn...

February 6, 2014 – “We work hard to evolve FORscene in a way that makes it ever more valuable to our clients. Visitors to our booth will get a first-hand look at the latest round of improvements, many of which were made as a direct result of feedback from our most active users. We’re always looking for feedback, so we invite readers to influence FORscene’s next phase of evolution by sharing experiences and suggestions with us during NAB this year. Everyone has the opportunity to change t...

After Effects Video Tutorial: Tilt-Shift Effect

February 10, 2014, 03:17 PM

http://www.premiumbeat.com/blog/tilt-shift/?utm_so...

Creating a realistic tilt-shift effect in Adobe After Effects is easier than you might think. In this video tutorial we show you a simple way to create this highly sought after effect.

ACE celebrates the craft of Editing

February 10, 2014, 02:09 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — The American Cinema Editors (ACE) celebrated their artform once again on February 7 with a lively awards dinner that honored legendary editors Richard Halsey, ACE; Robert C. Jones; and Randy Roberts ACE. The editors of television’s Breaking Bad and the feature films Captain Phillips, American Hustle, and Frozen were also honored by their peers. 

Avid Customer Association

February 10, 2014, 02:08 PM

http://icutfilm.com/post/76245109918

I’ve been asked to be part of the Advisory Council Leadership for Avid’s Community Advisory Council http://www.avidcustomerassociation.com/advisory_councils.html

What Post Production Software Works Best on the Ma

February 10, 2014, 02:07 PM

https://www.videoguys.com/Blog/E/What+Post+Product...

The new Mac Pro offers powerful performance, but which video editing applications are best suited for the system? Two of the main benefits of those cores packed into the new Mac Pro is the ability to split (thread) parts of high performance tasks to each core, therefore getting the job done faster, and sending computational instructions to the two GPU’s that ship with each Mac Pro configuration.

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