It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 5, 2014, 05:44 AM
http://digitalcinemacafe.com/2014/02/05/dcc039/
Beautiful images, compelling story, and respectful collaboration. All the ingredients for success. This is not the first time Julien King and Cassidy Gearhart have collaborated and it shows. In this episode we take an in-depth look at the short documentary “The Real Thing” and break it down from the eyes of the Producer/DP and the Editor.
February 5, 2014, 05:43 AM
http://feedproxy.google.com/~r/industryhappenings/...
Postchat is a weekly twitter-based chat, which utilizes the use of the hashtag #PostChat. The chat occurs at 6:00 PM PST (9:00 PM EST) every Wednesday. For one hour every week, Editors and Post-Production professionals around the world turn their attention towards Twitter and engage in an hour long discussion about the technology and art of... Read more »
February 4, 2014, 08:17 PM
http://feedproxy.google.com/~r/industryhappenings/...
Everyone wants their images to look great. Except… figuring out how to make them look great is a real challenge. Join Larry Jordan as explains how to use the scopes inside Adobe Premiere Pro CC to analyze your images for problems. Then, learn how to use Premiere’s 3-way Color Correction effect to repair flawed images. Finally, discover the brand-new... Read more »
February 4, 2014, 08:17 PM
http://postperspective.com/cinesync-integrated-dig...
Culver City — Jenny Fulle, visual effects producer and founder of The Creative-Cartel, and Rory McGregor, CEO of Cospective, are now offering integration between Cospective’s cineSync review and approval technology and The Creative-Cartel’s Joust digital workflow management system. This integration with cineSync will allow live, streaming, interactive reviews that can be carried out from within […]The post CineSync integrated into digital workflow management system Joust appeared f...
February 4, 2014, 03:02 PM
http://jonnyelwyn.co.uk/film-and-video-editing/lea...
A round up of Avid's latest series of tutorials on learning Avid Media Composer 7, plus a few tutorials for FCP7 switchers and 11 tutorials on what assistant editors need to know when using Avid.
#assistant editor#tutorials#assistant editing#avid media composer 7#switchingFebruary 4, 2014, 01:51 PM
http://www.hollywoodreporter.com/behind-screen/ace...
American Cinema Editors’ Eddie Awards — which will be handed out Feb. 7 at the Beverly Hilton—has proved to be a quite reliable Oscar bellwether. In fact, in nine of the past 10 years, the winner of the best edited dramatic feature Eddie has gone on to win the Oscar in editing. Additionally, in six of the past 10 years the winner in the ACE category for best edited dramatic or comedy/musical feature went on to win the Oscar for best picture.
February 4, 2014, 05:47 AM
https://www.aotg.com/editors-on-editing-featuring-brent-white/
Brent White, A.C.E. editor, discusses his approach to editing comedy over the years.
February 4, 2014, 05:47 AM
http://www.firstshowing.net/2014/post-nomination-p...
With the Oscar nominations set in stone (save for one retraction), it's time for some new predictions! Obviously, my final set of predictions from January
February 3, 2014, 05:42 PM
http://www.moviemachine.tv/video/shooting-with-the...
In this first of a two-part presentation, Rick Young’s Movie Machine lets us take a look at what filming in the Blackmagic Pocket Cinema Camera is like.
#blackmagic#hardware#cameras#cinematographyFebruary 3, 2014, 02:49 PM
http://prmac.com/release-id-65184.htm
prMac is a free press release distribution service aimed at enhancing the visibility of press releases in the Mac world. With a Publish Once, Broadcast Many philosophy, we offer world-wide agency distribution services as well as top-notch RSS feeds.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.