To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Guide To MPSE Golden Reel Awards for Sound Editing

February 17, 2017, 01:49 PM

http://www.hollywoodreporter.com/behind-screen/gui...

Arrival, Hacksaw Ridge and Rogue One: A Star Wars Story lead the MPSE feature film competition with three nominations apiece, in the categories for dialogue/ADR, effects/Foley and music.

Women In Sound

February 17, 2017, 10:52 AM

http://designingsound.org/2017/02/women-in-sound/

This is a guest contribution by Sarah King who works at Grand Central Recording Studios in London, a sound design and audio post production facility, creating award winning sound for TV, cinema, online, interactive audio and radio productions. Having worked within the creative sector for the last 10 years, the latter four of which at Grand Central Recording Studios […]

NUGEN Audio at the 2017 NAB Show

February 15, 2017, 05:28 PM

http://www.broadcastbeat.com/nugen-audio-at-the-20...

At the 2017 NAB Show, NUGEN Audio will demonstrate new downmixing technology for creating the best possible stereo mixes from original surround audio sources. The company will also showcase its industry-leading post-production and broadcast audio tools for loudness, upmixing, and batch processing, and a range of products for creative sound design, enhancement, and sound-stage correction. ...

Sound for Radio: An Interview with Audio Designer

February 15, 2017, 12:34 PM

http://designingsound.org/2017/02/sound-for-radio-...

  When we talk about the audio industry and the areas in which its lives, we tend to think about it in two ways: linear and nonlinear format. And within these categories, the dominant players seem to be films, games, and television. But how is it that we’ve forgotten about radio? The oldest medium of […]

How to Record Door Sound FX: A Cheat Sheet

February 15, 2017, 12:33 PM

http://www.creativefieldrecording.com/2017/02/15/h...

Last week I shared an unusual idea: recording door sound effects is the best way to increase your field recording skill.

Intense Trailer Music and SFX for Video Editors

February 15, 2017, 09:30 AM

https://www.premiumbeat.com/blog/mr/intense-traile...

Effective music and sound effects can amplify the emotional impact of your trailer and help you create something memorable.

Magic Frequencies for EQing Mix Elements

February 15, 2017, 09:30 AM

http://bobbyowsinskiblog.com/2017/02/15/magic-freq...

When it comes to EQing, there are certain frequencies that seem predominant for every instrument. Many call them the magic frequencies, because they do tend to work most of the time. Here’s a chart of those frequencies from the latest edition of my Mixing Engineer’s Handbook.

Designing Sound: GDC17 Game Audio Get Together

February 15, 2017, 04:49 AM

http://designingsound.org/2017/02/designing-sound-...

Following the success of the event last year, we’re hosting another one. So whether you’re attending GDC or happen to be in the area, come join us for an informal gathering of interactive audio aficionados ahead of the conference. DS contributing editor Richard Gould will be at the venue from shortly before 4:00pm to hand […]

VR and 3D Sound with the Sennheiser Ambeo Micropho

February 14, 2017, 10:14 AM

http://www.studiodaily.com/2017/02/vr-and-3d-sound...

B&H and Sennheiser walk through the production and post workflow associated with Sennheiser's new four-capsule mic for spherical audio capture.  The post VR and 3D Sound with the Sennheiser Ambeo Microphone (Tutorial) appeared first on Studio Daily.

How to Master your Audio in Audition and Premiere

February 14, 2017, 10:13 AM

https://www.aotg.com/how-to-master-your-audio-in-audition-and-premiere/

Adding final polish to your audio can be difficult, especially if you don't know where to begin. Watch this episode to learn some basic tips and tricks for getting started with Mastering and understanding 'your' audio before you begin processing.

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