It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 12, 2016, 05:10 AM
http://www.asoundeffect.com/new-sound-effects-laun...
This week we have dark ambiences from alien worlds, wind turbines that whirl and whine, energy sounds for all your video game needs, Macs that are old enough to rent a car, and creepy old washers that sound like torture devices.
July 12, 2016, 05:10 AM
http://www.animationmagazine.net/vfx/framestore-go...
Just having swung into theaters, The Legend of Tarzan — the major motion picture adaptation of Edgar Rice Burroughs classic Tarzan of the Apes — features over 700 VFX shots provided by Framestore. The studio’s tasks spanned complex digital jungles, digi-double creation and intricate character animation, notably the CG apes who adopt the human Tarzan.
July 12, 2016, 05:10 AM
https://www.aotg.com/ae-tutorial-animated-handwriting/
After Effects Tutorial | QUICK TIP | Animated Handwriting
July 11, 2016, 07:11 PM
http://postperspective.com/editor-jesse-averna-twe...
Let’s face it, post production can be hard, and sometimes our social networks can get a tad negative. In the midst of that, LA-based editor Jesse Averna (@dr0id) recently shared some positivity and shed some light on how to navigate in the complex world of the post professional by offering some advice and encouragement through a series of tweets. Continue reading →July 11, 2016
July 11, 2016, 12:21 PM
http://www.aotg.com/index.php?page=cuttingroom_196
Gordon sits down with Federico Brusilovsky to discuss the editing of commercials and rebuilding older brands. He cuts in LA for Lost Planet where he cuts for the top brands.
July 11, 2016, 09:21 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON/MONTREAL — Currently swinging in cinemas worldwide, Warner Bros’ The Legend of Tarzan is the visually stunning feature film based on Edgar Rice Burroughs’ bestselling 1912 novel, Tarzan of the Apes.
July 11, 2016, 09:20 AM
https://www.aotg.com/quick-tips-for-pro-tools-dock-pro-tools/
Get a detailed walkthrough of the new Avid Pro Tools | Dock and see how it can help streamline your workflow and give your projects a creative edge.
July 11, 2016, 05:57 AM
http://designingsound.org/2016/07/world-listening-...
On July 18th the World Listening Project invites sound enthusiasts all across the world to participate in World Listening Day. This year’s theme, “Sounds Lost & Found”, calls on reminiscing, listening and observing what changes in our soundscapes have occurred in recent decades—be it language, nature, technology, music or even silence itself. THE WORLD LISTENING PROJECT is a not-for-profit […]
July 11, 2016, 05:57 AM
http://www.provideocoalition.com/lets-edit-media-c...
In this lesson, Kevin P McAuliffe talks about working with Look Up Tables (LUT’s) inside of Media Composer. They’re not as simple to get installed in Media Composer as they are in other applications, as they are treated more like AMA Linked to parameters, as opposed to effects, but once installed, they can be worked The post Let’s Edit with Media Composer – ADVANCED – Working with LUT’s appeared first on ProVideo Coalition.
July 11, 2016, 05:57 AM
http://blogs.adobe.com/creativecloud/after-effects...
Earlier this summer, we released After Effects CC 2015.3 (13.8), which features a variety of performance and workflow enhancements. In this article, we’re sharing more detail about how GPU-accelerated effects work, as well as other improvements made to effects. Please, if you want to ask questions about these new and changed features, come on over to the After Effects user-to-user forum. That’s the best place for questions. Questions left in comments on a blog post are much harder t...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.