To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

What Brexit means for UK and European film [Opinio

June 27, 2016, 07:17 AM

http://www.redsharknews.com/business/item/3587-wha...

In light of the UK's decision to leave the European Union, how will Brexit  impact productions and film professionals at home and abroad? BrexitUK productionEuropean UnionpoliticsBusinessOpinion

CG Garage Podcast #77 | Sally Slade – Magnopus

June 27, 2016, 07:16 AM

https://labs.chaosgroup.com/index.php/behind-the-s...

We speak to Sally Slade, a former VFX Technical Director, now working as a developer at Magnopus. We speak about how she became a Technical Director at Digital Domain and Scanline, worked in Los Angeles and Vancouver, and landed a job at Magnopus. She now is focused on interesting projects in Augmented Reality.

Remove Cadence Non-Destructive to the Video Source

June 27, 2016, 07:16 AM

https://blogs.creativecow.net/blog/14287/remove-ca...

Here is what I found attempting to use the Avid Media Composer to remove video cadence making a clean progressive video frame. The master clip current 'Field Motion' clip selection in the bin column is the default for some 'Refresh Sequence' commands making this already part of a workflow. Now the fun is if there are sources that one would like to remove the video cadence.

Auto, from Conner Griffith

June 26, 2016, 11:01 PM

http://lesterbanks.com/2016/06/auto-conner-griffit...

Cars dance on highways, crowds of people wash across sidewalk shores.

Multitrack audio for best control later, versus li

June 26, 2016, 04:53 PM

http://www.provideocoalition.com/multitrack-audio-...

In field production or in the studio, ideally, we record every audio source on its own track for absolute control in post. For many years, I have been covering devices to accomplish that. However, some producers need to stream live or to record live-to-drive, where all voice sources are mixed on the fly, i.e. when The post Multitrack audio for best control later, versus live mix appeared first on ProVideo Coalition.

Sunday Sound Thought 26 – The Establishing Field

June 26, 2016, 09:27 AM

http://designingsound.org/2016/06/sunday-sound-tho...

As the year continues, many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span… This week, I’m returning to the little thread of visual analogs that […]

ART OF THE CUT with legendary Oscar-winning editor

June 26, 2016, 09:27 AM

http://www.provideocoalition.com/AOTC-Coates

I have interviewed nearly 60 of the top editors in the world at this point including more than a dozen Oscar winners and I have never been star-struck until this interview with Anne Coates, ACE. At the same time, I felt like I was talking to a long-time friend. Coates won an Academy Award for The post ART OF THE CUT with legendary Oscar-winning editor, Anne Coates appeared first on ProVideo Coalition.

Watch How the ‘Orphan Black’ F/X Team Made th

June 26, 2016, 09:26 AM

https://www.yahoo.com/tv/emmy-talk-watch-how-the-1...

As we enter Emmy season — nomination voting runs through June 27 — Yahoo TV will be spotlighting performances, writing, and other contributions that we feel deserve recognition. Last year, Emmy voters righted a wrong by rewarding Tatiana Maslany’s remarkable performance(s) as Orphan Black’s multiple

Adobe AE Puppet Tool : Adobe After Effects Tutoria

June 26, 2016, 09:26 AM

https://library.creativecow.net/Gleissenberger_Tob...

Become a puppet master by learning how to use the Puppet Tool in Adobe After Effects! This intermediate-level tutorial from After Effects guru Tobias will show you how the Puppet Tool allows you to add joints and animations to bring life to any static image!

The VFX of Flash

June 26, 2016, 09:26 AM

https://www.aotg.com/the-vfx-of-flash/

Behind-the-scenes of season two of CW's "The Flash." Visual effects by Deluxe's Encore VFX and supervised by Armen Kevorkian.

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