It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 26, 2016, 05:55 AM
http://oneperfectshotdb.com/2016/05/united-we-stan...
We all know the big Marvel films rely heavily on visual effects to help tell their superhero stories - and with great results. But you might be surprised how much one particular sequence in CAPTAIN AMERICA: CIVIL WAR, the opening battle in Lagos, was achieved with a mix of stunt work, practical effects and digital enhancements. One Perfect Shot goes behind the scenes to find out how the sequence was made from multiple locations, how stunt work was augmented with VFX from German studio RISE FX an...
May 26, 2016, 05:55 AM
http://www.artofvfx.com/oblique-fx-feature-film-sh...
Brand new showreel by Oblique FX featuring their VFX work on SICARIO, CHASSE GALERIE, STONEWALL and many more...
May 25, 2016, 05:12 PM
http://www.recode.net/2016/5/25/11772502/virtual-r...
A version of this essay was originally published at Tech.pinions, a website dedicated to informed opinions, insight and perspective on the tech industry. (Insider Exclusives registration required for this one.)
May 25, 2016, 02:31 PM
https://www.aotg.com/mcdonalds-40000-friends-editor-brian-sepanik/
The McDonald’s spot,‘40,000 Friends’ showcases Burrell’s deftness at creating documentary-style targeted ads, tapping iconic director, Bob Giraldi's talent. A previous McD spot called upon another lauded director, Joe Pytka, to craft its real-life inspired story. Driven by agency’s sharply contrasting concepts & the directors’ powerful cinematic storytelling styles - creative editor Bob Ackerman, of The Colonie, wove together a pair of spots with very approaches to delivering a share...
#mcdonalds#the colonie#brian sepanik#40000 friends#burrell#bob giraldi#lewis williamsMay 25, 2016, 11:44 AM
https://www.aotg.com/fcpx-stimulating-a-different-part-of-the-brain/
90% of film editing is selecting. Selecting is the creative process of finding and organizing your shots before you begin the actual edit. The better your selects, the better prepared you are for greatness.
May 25, 2016, 11:44 AM
http://www.philiphodgetts.com/2016/05/lunch-with-o...
Lunch with independent video/film editor, colorist, post production supervisor and consultant Oliver Peters.
May 25, 2016, 11:44 AM
http://lesterbanks.com/2016/05/create-multi-colore...
Autodesk's Daryl Obert shows how you can get a multi-colored Bifrost Simulation going in Maya. The Post Create Multi-Colored Bifrost Liquid in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
May 25, 2016, 11:43 AM
http://soundworkscollection.com/news/soundworks-co...
In this exclusive interview we talk with Composer Mac Quayle about his electronic score for the hit show, Mr. Robot which starts its second season on July 13, 2016.
May 25, 2016, 09:18 AM
http://www.broadcastbeat.com/facilis-shared-storag...
At Broadcast Asia 2016, Facilis, a leading international supplier of cost-effective, high performance shared storage systems and dynamic workflow solutions for the film, broadcast and AV markets, will showcase its TerraBlock shared storage system on two separate exhibitors’ booths. Singapore-based broadcast solution provider, The Media Village (Booth 4G2-01) will demonstrate a TerraBlock shared storage system ...
May 25, 2016, 09:17 AM
http://lesterbanks.com/2016/05/squall-aa-animation...
Marcus Eckert's Squall for After Effects helps bridge the gap between animations and native code of iOS apps. The Post Convert Your After Effects Animations Directly to iOS Code originally appeared and published on %%BLOGLINK%,by lesterbanks
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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