It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 30, 2014, 09:56 AM
http://www.cgmeetup.net/home/leap-motion-tracking-...
Leap Motion Tracking Developer, Leap Motion, Leap Motion Tracking, Tracking, Motion Tracking
May 30, 2014, 09:56 AM
http://www.pauljoy.com/2014/05/my-fcpx-location-wo...
It’s been a while since I’ve shared my location workflow and since the release of FCPX 10.1 it’s now a useful tool for ingesting in the field so I thought I’d take a bit of time to detail exactly how I go about managing data when working overseas.
May 30, 2014, 09:55 AM
https://www.videoguys.com/Blog/E/EDIUS+now+serves+...
As a veteran news editor on staff at an NBC affiliate station in the central New England area, Kathryn O’Leary likes to work fast. When there’s a breaking story to tell, she doesn’t have time for technology that bogs her down or makes her wait. That’s why she’s a big fan of the Grass Valley™ EDIUS® nonlinear editing system. When her station’s news department made the migration to nonlinear editing in the spring of 2008, they chose the latest version of EDIUS primarily because...
May 30, 2014, 09:55 AM
http://www.fcp.co/final-cut-pro/news/1428-40-free-...
When we say free, there are a couple of caveats, but Look Converter is still a great way to get custom colour grades into Final Cut Pro X.
May 30, 2014, 09:55 AM
http://provideocoalition.com/ssimmons/story/get-th...
Any readers out there who are using the Mac OS and editing video have probably made good use of Mac OS Finder labels over the years to assign a designated color to a folder, file or group of files for whatever reason one might color anything. They were big, bright colors that were easy to...
May 30, 2014, 09:53 AM
http://www.studiodaily.com/2014/05/vimeo-announces...
Vimeo has struck a deal with the husband-and-wife team Katja Blichfeld and Ben Sinclair to finance the next six episodes of their popular online comedy High Maintenance, the first original content project the video platform will make available later this … more »
May 30, 2014, 04:36 AM
http://www.borisfx.com/videos/BCCAE/The-Walking-De...
Inspired by "The Walking Dead," Paul Ezzy creates a gritty atmospheric opening title sequence with BCC 9 AE's new filters and single-track transitions in Adobe Premiere Pro CC. Filters used: BCC 2-Strip Color, BCC Vignette, BCC Pan & Zoom, BCC Grunge, BCC Blobs Wipe, BCC Flutter Cut, and BCC Fast Film Glow
May 30, 2014, 04:36 AM
http://www.borisfx.com/videos/BCCAE/Opening-Indie-...
In the first of his 3-part series on BCC 9 in Premiere Pro CC, Eran Stern (Stern FX) creates an opening title sequence for an indie you can imagine premiering at Sundance. Get an inside look at his creative process and workflow. Apply BCC 2-Strip Color and BCC Vignette to set the tone of the overall sequence. Add BCC Fast Film Glow to the titles and composite over the footage to create more depth. Use BCC Displacement Map, add transitions, and lots more. Filters used: BCC 2-Strip Color...
May 30, 2014, 04:34 AM
http://provideocoalition.com/kmcauliffe/story/gett...
As most Media Composer editors are now aware, BCC is no longer included in your Media Composer Symphony upgrade. That's because with your monthly subscription, you are now getting Symphony included. But, that doesn't mean that you're without some awesome BCC effects to get you moving in the right direction.
May 29, 2014, 04:26 PM
http://www.filmmakerspot.com/free-premiere-pro-plu...
A list of free Premiere pro plugins to make awesome titles, Transition effects, video effects, filters, test effects, video adjustments and some other cool things. Premire Pro Title Plugins Manifesto – Static title, title roll/crawl generators. Star Titler - Simulate opening titles like Star Wars movie (1977). Data Pop Free – Create infographic titles. Premire Pro […] The post Free Premiere Pro Plugins For Filmmakers & Editors (Complete list) appeared first on Filmmaker Spot.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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