It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 3, 2013, 09:40 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“There is no terrible way to win. There is only winning.” — Jean-Pierre Sarti Gentlemen, start your engines!While not one of designer Saul Bass’s more famous title sequences (see Psycho or North by Northwest), the full throttle intro to director John Frankenheimer’s Formula One flick Grand Prix offers something a little different. This masterfully assembled montage of pre-race preparation features crisply align...
September 3, 2013, 09:40 AM
http://www.premiumbeat.com/blog/streamline-client-...
In this post we take a look at Kollaborate, a cloud based client review app for video editors.
September 3, 2013, 09:34 AM
http://feedproxy.google.com/~r/deysonortiz/feed/~3...
Free web optimization for web images. I thought this was a handy dandy little tool for anyone that needs to make their image file sizes smaller for their websites. They have a FREE web interface option for you to use. You know I love free! Web Interface · Kraken.io. © Deyson for Deyson Ortiz, 2013. […]The post Optimize your images with blazing speed · Kraken.io appeared first on Deyson Ortiz.
September 2, 2013, 09:06 PM
https://www.aotg.com/agenda-set-for-sixth-annual-amsterdam-supermeet-2/
The stage show agenda has now been set for the Sixth Annual Amsterdam SuperMeet, to take place during IBC2013 on Sunday, 15 September 2013 at the Hotel Krasnapolsky in the heart of Amsterdam. SuperMeet agenda will feature user driven presentations from Blackmagic Design, iZotope, Autodesk, Adobe, Larry Jordan on FCP X and more. This SuperMeet promises to be the single largest gathering of Final Cut, Adobe, Avid and Autodesk editors, digital filmmakers, gurus and users during IBC2013 week.
#blackmagic design#autodesk#adobe#supermeet#apple#ibc#amsterdam#larry jordan#fcp xSeptember 2, 2013, 05:29 PM
http://www.mi-reporter.com/news/222087011.html
Documentary on Stanley Ann Dunham is nearly finished. Filmaker hopes to show it at Seattle International Film Festival next spring.
September 2, 2013, 12:16 PM
http://www.editorsguildsa.org/news/2013/sage-suite...
"The film is not shot but built, built up from the separate strips of celluloid that are its raw material... Editing is the foundation of the film art" - Vsevolo PudovkinBut what makes one cut better than the rest?
September 1, 2013, 05:52 AM
http://wolfcrow.com/blog/tutorial-how-to-remove-no...
Tutorial: How to remove noise in Adobe Premiere Pro
September 1, 2013, 05:52 AM
http://nofilmschool.com/2013/08/edit-blackmagic-ma...
I’ve been talking a lot about offline/online workflows lately — how they have, in principle, been used for ages, and still play today, tape or no tape. Such a post production process allows less fortunate folks (such as myself) to work with footage like Blackmagic Camera CinemaDNG and Magic Lantern RAW on hard-pressed machines.
August 31, 2013, 03:48 PM
http://kirstenstudio.com/archives/4163
Crafting a story is about making choices. What information is essential to the narrative, whether it be for artistic, practical, or emotional reasons, as a storyteller, one has to constantly make choices, cut by cut, frame by frame. Any choice has the potential to drastically change story direction. With a feature length film, a filmmaker, [...]
August 31, 2013, 12:08 PM
http://tribecafilm.com/features/adam-epstein-editi...
'SNL' editor Adam Epstein argues that the job of an editor now encompasses many surprising new roles, from sound designer, to motion graphics creator, to ego-massager...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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