It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 1, 2013, 05:30 PM
https://www.editorsguild.com/FromTheGuild.cfm?From...
MPEG CONGRATULATES 2013 PRIMETIME EMMY AWARDS NOMINEES
August 1, 2013, 05:30 PM
https://www.editorsguild.com/FromTheGuild.cfm?From...
In recent months, the IATSE has made dramatic progress in bringing more work in unscripted television under the coverage of union contracts. Dramatic progress often demands dramatic struggle. Many employers prove fiercely resistant to signing union contracts, relenting only after employees exert pressure through bold displays of solidarity — including, in some cases, work stoppages. As those who follow our union’s organizing activity know, the IATSE makes regular and effective use of recogni...
August 1, 2013, 03:02 PM
http://www.studiodaily.com/2013/08/momentum/?utm_s...
This study in choreography for camera, NLE, and VFX from filmmaker Boris Seewald features dancers Patrick Hanna and Shoko Ito. Georg Simbeni was the DP and the score is by Ralf Hildenbeutel. Don't forget to take a look...
July 31, 2013, 03:11 PM
http://www.studiodaily.com/2013/07/how-elysiums-4k...
Director Neill Blomkamp made his mark on the movies with 2009's District 9, a VFX-heavy science-fiction allegory anchored by its distinctive South African setting and naturalistic visual approach...
July 31, 2013, 03:11 PM
http://journaldunemonteuse.wordpress.com/2013/07/3...
See you in September or Lussas festival, I'll be there from 21 to 25 August.
July 31, 2013, 10:43 AM
http://feedproxy.google.com/~r/richardharringtonbl...
This video production tutorial shows how to determine your freelance rates for the services you are providing during a video project.
July 31, 2013, 10:41 AM
http://www.moviescopemag.com/insiderspov/the-cultu...
The cultural importance of colour when conveying story, feeling and meaning.
July 30, 2013, 02:36 PM
http://www.editorsguildsa.org/news/2013/ronette-va...
Warm congratulations to SAGE full member Ronette van der Walt for her win at Wild Talk Africa's ROSCAR awards, for her work on A Wild Dog's Tale...
July 30, 2013, 02:36 PM
https://www.aotg.com/andrew-weisblum-on-editing-the-wrestler/
Editor Andrew Weisblum, A.C.E. talks about scene rearrangement, as seen in "The Wrestler." From the Series: "Manhattan Edit Workshop Presents Inside the Cutting Room with Bobbie O'Steen" featuring editor Andrew Weisblum, A.C.E. on February 21st, 2013. Edited by Daniel Jamieson.
July 30, 2013, 04:28 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
Author Brian Sibley discusses the end credits for Around the World in Eighty Days, from his audio commentary on the 2004 Two-Disc Special Edition DVD release.Even though Robert Morley has firmly announced that this is the end, the film's title sequence now begins, quite uniquely at the film's closing.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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