To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Baselight Says There’s a Better Way to Color Tha
March 30, 2016, 04:16 PM
http://www.studiodaily.com/2016/03/baselight-says-...
FilmLight has announced some details of its upcoming Baselight 5.0 software, including a departure from color-grading norms. Citing a desire to adopt controls that "accurately mimic the way the eye appreciates color," the new Baselight's flagship feature, Base Grade, will emphasize … more » The post Baselight Says There’s a Better Way to Color Than Lift/Gamma/Gain appeared first on Studio Daily.
Zimmer Is Done With Superhero Movies
March 30, 2016, 04:16 PM
http://www.slashfilm.com/hans-zimmer-batman-v-supe...
Superheroes are forever. Even the ones that don’t count immortality among their special powers have a way of surviving, provided they’re popular enough that it makes more financial sense to resurrect them than to let them stay dead. But the humans behind superheroes are not forever, and even as these characters’ stories continue on and on for decades, the people helping to tell those tales will come and go.
How I sometimes respond to AVID errors
March 30, 2016, 12:21 PM
http://renderplease.com/post/141960220730
15 Questions with Eileen Meyer
March 30, 2016, 12:21 PM
http://manhattaneditworkshop.blogspot.com/2016/03/...
Photo by Claire Marie VogelManhattan Edit Workshop congratulates Eileen Meyer, winner of the 2016 Karen Schmeer Fellowship! Eileen completed the MEWShop Six-Week Workshop in the fall of 2011. We caught up with her to chat about her achievements since, including a Cinema Eye Honors "Outstanding Achievement in Editing" nomination for her latest film, Best of Enemies, a 2015 Sundance Film Festival Grand Jury Prize nominee.1. Where did you grow up?Durham, North Carolina. 2. What kind of film...
Technicolor Gets Star of Recognition for Centennia
March 30, 2016, 12:21 PM
http://www.hollywoodreporter.com/behind-screen/tec...
The Hollywood Chamber of Commerce presented Technicolor with a star of recognition Wednesday morning in front of the company’s U.S. headquarters on the Sunset Gower Studio lot in Hollywood.
Open Season: Scared Silly - Editing with Maurissa
March 30, 2016, 12:20 PM
https://www.aotg.com/open-season-scared-silly-editing-with-maurissa/
Ever wonder how an animated film is pieced together? Learn all of the 'behind-the-scenes' steps from Lead Editor, Maurissa Horowitz.
Blackmagic Design’s Fusion Studio on “The Witc
March 30, 2016, 10:18 AM
https://www.aotg.com/blackmagic-designs-fusion-studio-on-the-witc/
Blackmagic Design announced today that Intelligent Creatures used Fusion Studio on the highly acclaimed horror film “The Witch.” Led by Compositing Supervisor Eric Doiron and VFX Supervisor Geoff Scott, the Toronto-based post house used Fusion Studio as its main software for all of the film’s VFX. In addition, Intelligent Creatures used DaVinci Resolve Studio to pull VFX plates and do selective color grading during its VFX sequences.
#vfx#color grading#post production#rotoscopeRegistration open for SIGGRAPH 2016
March 30, 2016, 09:39 AM
http://www.postmagazine.com/Press-Center/Daily-New...
ANAHEIM, CA — Registration is now open for SIGGRAPH 2016, the annual interdisciplinary educational experience showcasing the latest in computer graphics and interactive techniques. With the tagline “Render the Possibilities,” SIGGRAPH 2016 will be held at the Anaheim Convention Center from July 24th through the 28th.
Animation pre-visualization with mBehaviors
March 30, 2016, 09:39 AM
http://www.provideocoalition.com/animation-pre-vis...
This week on MacBreak Studio, special guest Mike Matzdorff (@FCPXFeatures) shows us a very fun and interesting workflow he uses to speed up animation development. Mike has figured out how to leverage a plugin for Final Cut Pro X called mBehaviors from MotionVFX.com to bring an animatic to life, greatly cutting down the amount of The post Animation pre-visualization with mBehaviors appeared first on ProVideo Coalition.
FCP Exchange, FCPWORKS, NAB and getting to know FC
March 30, 2016, 09:38 AM
http://www.provideocoalition.com/FCPExchange-NAB20...
If you’re heading to NAB in April and you’re interested in Final Cut Pro X then point you browser to FCP Exchange and get yourself registered for this special event that takes place off of the NAB show floor. Presented by FCPX workflow specialists FCPWORKS FCP Exchange will run April 18th-19th 2016 in the Rainbow Room at The post FCP Exchange, FCPWORKS, NAB and getting to know FCPX appeared first on ProVideo Coalition.
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