To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Monter à tout prix, une belle publication

March 28, 2013, 04:37 AM

http://journaldunemonteuse.wordpress.com/2013/03/2...

De quelle nature est la relation que nous avons avec notre travail ? Pourquoi fait-on des films gratuitement ? Qu’est-ce qui nous pousse les uns les autres à accepter telles ou telles conditions de travail ? Qu’est-ce qu’on aime partager?

Webinar on Math and Color Science

March 28, 2013, 04:35 AM

http://www.schubincafe.com/2013/03/27/poynton-webi...

Don’t go to NAB without the tools you need. Charles Poynton will be doing a webinar April 2-4 on “Math and Colour Science for Colourists” (the spelling, like the teacher, is Canadian).

PostChat in Person - Official Editing Tweetup!

March 27, 2013, 05:18 PM

http://community.avid.com/blogs/buzz/archive/2013/...

PostChat is a weekly Twitter-based chat, centered on the hashtag #PostChat. For one hour every week, editors and post professionals around the world turn their attention towards Twitter to engage in an hour-long discussion about the technology and art of post production.

Mise en lumière

March 27, 2013, 02:28 PM

http://journaldunemonteuse.wordpress.com/2013/02/2...

Parfois le point de coupe agit comme un éclairage. Poser un point d’entrée à telle image du plan met en valeur un élément narratif ou graphique : un geste, une émotion, une parole, un cadrage. La coupe agit alors comme un...

WORKING ON MULTI-EDITOR SHOWS/SERIES

March 27, 2013, 04:40 AM

http://lfhd.net/2013/03/26/working-on-multi-editor...

I'm working on a series of posts that are less about the technology used in the projects I work on, and more about the workflows involved. Tips and techniques that can be used no matter what edit system you happen to use. I have blogged about going back to Avid and editing with a single user...

APPROACHES TO MODERN CUT

March 27, 2013, 04:34 AM

http://www.bfs-filmeditor.de/aktuell/meldungen/mel...

(In German) A DAY THAT DEALS WITH APPROACHES TO MODERN CUT IN A TIME OF EVER-CHANGING USAGE PATTERNS.

Diary of an Avid Switcher – Part 3

March 26, 2013, 09:55 AM

http://jonnyelwyn.co.uk/film-and-video-editing/dia...

In this third instalment of my diary of switching from FCP7 to Avid Media Composer I get stuck into Avid AMA, timeline transitions, tricks for trimming and batch importing. Plus the usual amusing gifs.

#avid media composer#avid tutorials#avid switcher#fcp7 editor
Sobel, A.C.E. Discusses Working with Sally Menke

March 26, 2013, 09:53 AM

https://www.aotg.com/sobel-a-c-e-discusses-working-with-sally-menke/

Editor Joan Sobel, A.C.E. Discusses Working As An Assistant Editor with the Late Sally Menke, A.C.E. on "Kill Bill: Vol. 2" from Manhattan Edit Workshop on Vimeo.Editor Joan Sobel, A.C.E, Discusses Working As An Assistant Editor with the Late Sally Menke, A.C.E. on "Kill Bill: Vol. 2" at EditFest LA 2011.

Agatha Christie's Poirot (1989)

March 26, 2013, 04:55 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“I specialize in murders of quiet, domestic interest.” — Hercule PoirotA blue fog dances underneath a curious collection of shapes. A plumb-bob and the moon framed in white? What does it mean? The distinctive profile (and moustache) of Agatha Christie's famed detective Hercule Poirot is soon added to the mix, helping viewers to crack the case of this sparsely adorned dust jacket. The mystery is a mystery.

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