It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 6, 2013, 05:43 AM
http://blogs.adobe.com/aftereffects/2013/03/ae-she...
I first got involved in the visual effects industry in the 1990s. I'd gone to film school and art school and thought I might try to be a director someday. I went to work as a PA at a VFX boutique house, Foundation Imaging, which was starting to do visual effects on desktop machines. It was the early 90s when most visual effects were still done by machines that cost far and away more than Adobe After Effects.
March 5, 2013, 04:13 PM
http://jonnyelwyn.co.uk/film-and-video-editing/ove...
To learn how to make the most of Avid Media Composer in real world settings check out these two 2 hour lectures from leading post production professionals and the Rule Boston Camera Learning Lab
#editing#avid media composer#rule boston cameraMarch 5, 2013, 10:06 AM
http://www.cceditors.ca/2013/03/05/cce-members-tak...
CCE Members take home Canadian Screen Awards
March 5, 2013, 10:04 AM
http://www.macprovideo.com/hub/sound-production/mu...
We probably all know whether or not we are considered an organized person. Even if we are neat and clean and everything has its place, is it the right place for efficiency and productiveness? Over the years, I have moved office and studio items around my building to maximize functionality, but it was not really until I attended a short seminar that introduced me to Lean 5S Visual Management concepts, that real organization was achieved.
March 4, 2013, 05:38 PM
http://editorunderconstruction.blogspot.com/2013/0...
Academy Award Nominated Director, Adrian Belic (Genghis Blues Documentary 2000).
March 4, 2013, 01:15 PM
https://www.aotg.com/berenbaum-a-c-e-discusses-barton-fink-pt-3/
Michael Berenbaum, A.C.E. Discusses Barton Fink Part III from Manhattan Edit Workshop on Vimeo.Editor Michael Berenbaum, A.C.E. discusses the magic of dialogue editing, using a scene from
March 4, 2013, 01:00 PM
http://www.thenationalstudent.com/Film/2013-03-04/...
In the last year alone he has worked on two Oscar nominated and winning films and has received an Academy Award after being nominated for Best Film Editing of Argo and Zero Dark Thirty. Samantha Booth talks to the award-winning William Goldenberg about his proudest editing achievements, 70s movie marathons and working with acclaimed directors Ben Afflect and Kathryn Bigelow.
March 4, 2013, 12:57 PM
http://www.outsideonline.com/outdoor-adventure/POV...
The first rule of editing: Keep it short. You have four minutes, maybe five if you push it. We viewers are busy: We need to check Twitter, send emails, text, and make it look like we’re doing work, all at the same time. We don’t have time to watch anything long. That means cut.
March 4, 2013, 08:16 AM
http://www.karenschmeer.com/blog/2013/3/3/erin-at-...
A few months ago, I had the great opportunity to attend Sundance 2013 with two projects: a feature-length documentary film called American Promise and a short narrative film called Gun. I started working on both films around the same time in late 2011 and worked on both for almost a year. I was on American Promise full time and on Gun whenever my director Spencer Gillis and my co-editor Adam Brown and I could squeeze in time at night and on weekends around our day-jobs and other side jobs.
March 3, 2013, 07:44 PM
https://www.aotg.com/kristin-grundstrom-6-videos-on-her-views/
(Swedish) Editor Kristin Grundström talks about what inspires her in her work. Kristin is a freelance editor. She has studied theatre, art and filmmaking at the swedish dramatic institute. Kristin has worked with films as: Zozo, Ångrarna (the regretters), Arne Dahl: Misterioso and the latest movie by swedish director Maria Blom.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.