It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 14, 2013, 12:44 PM
http://tyler-weaver.com/2013/02/14/stories-i-love-...
In post-World War II streets overflowing with inky shadows, greed, and hapless bureaucracy, pulp novelist Holly Martins (the brilliant Joseph Cotten) arrives in Vienna and promptly gets himself wrapped up in a plot that would rival any of his own novels when he finds that his friend, Harry Lime (Orson Welles at his most charismatic) has died.
February 14, 2013, 07:16 AM
http://editorunderconstruction.blogspot.com/2013/0...
Picking the BAFTA for Best Editing, and words in the press room: Regarding Zero Thirty Dartk, in this video we have the two assemblers (Goldenberg and Tichenor), production designer and sound designer: More interesting links on assembling these two projects: - about Zero Dark Thirty workflow: www.btlnews.com ...-Interviews and assembly aspects Zero Dark Thirty...
February 13, 2013, 09:20 PM
https://www.aotg.com/fix-it-in-post-official-film/
An editor unknowingly affects the world of a guy just trying to get though his day. Filmmaker Jeremy Hunt and Autodesk present "Fix it in Post". Watch the official film and see how Autodesk Smoke was used to create this fun and action-packed short film.
February 13, 2013, 09:15 PM
https://www.aotg.com/avid-rough-cut-eddie-hamilton/
This previously missing gem with features editor Eddie Hamilton was recorded live on our stage at NAB 201. Eddie shares his passion for the art of editing and gives a behind-the-monitor look at the techniques he used on the films X-Men: First Class and Kick-Ass.
February 13, 2013, 02:41 PM
http://masteringfilm.com/defining-conflict/
Conflict is essential to drama, but can be defined in different ways and take many different forms. Conflict can come from external factors, from within a character, or arise from a combination of forces.
February 13, 2013, 02:34 PM
http://www.postmagazine.com/Press-Center/Daily-New...
DALLAS -- Editor Logan Hefflefinger (www.lucky-post.com) has relocated from Los Angeles to join Dallas' Lucky Post. He brings with him storytelling experience in features, commercials and music videos.
February 13, 2013, 08:25 AM
http://www.redsharknews.com/post/item/429-a-short-...
The first ever edits were made accidentally, by cameraman stopping and starting early hand-cranked film cameras. Gradually it was realised that these “cuts” could be used to join shots together to tell a story, and the movies were born.
February 12, 2013, 10:18 PM
http://www.bbc.co.uk/news/technology-21429437
Well rest assured you need never be concerned too much by any of the above thanks to the innovative use of sensors employed by the composer, and now film-maker, Alexis Kirke.
February 12, 2013, 10:13 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK -- Manhattan Edit Workshop, which offers training for those in the post and content creation industry, has brought back its popular speaker series, "Inside The Cutting Room with Bobbie O'Steen." Produced by Manhattan Edit Workshop and held at the French Institute, Inside The Cutting Room give audiences a look behind the scenes with accomplished visual storytellers.
February 12, 2013, 12:56 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
An OUTCAST BOY who can commune with the DEAD... A TOWN obsessed with the past, UNWILLING to accept him! BULLIES! ZOMBIES! GHOSTS! WITCHES! A FILM as SPOOKY as it is HEARTWARMING... CHILLING as it is ENDEARING! LAIKA's 3D stop-motion TRIUMPH ParaNorman has SCARES and LAUGHS aplenty... AND a BEWITCHING main-on-end title sequence worth writing home to mother about!The tale of young Norman Babcock comes to a close to the tune of the White Stripes' "Little Ghost" as the slightly skewed...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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