It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 23, 2013, 02:42 PM
https://www.aotg.com/kate-sanford-a-c-e-editing/
Editor Kate Sanford, A.C.E. discusses the benefits of working with a good director, as seen in
January 23, 2013, 02:34 PM
http://editorunderconstruction.blogspot.com/2013/0...
Craig McKay is one of the editors of the film, along with Reynald Bertrand, built, in his words, in the editing room. This entry is the appetizer for the following translation I am preparing What do you have to do? That is an interview with an editor of a documentary without dialogue. Enough said. Well, come on, say that the documentary is the host, which is the last I've seen and that the interview is a real source of knowledge. For now, I leave you with babies, it's very funny...
#craig mckay#editing#film editorJanuary 23, 2013, 09:08 AM
https://www.aotg.com/the-evolution-of-a-title-card/
160 images showing the evolution of title cards.
January 23, 2013, 08:44 AM
http://jonnyelwyn.co.uk/film-and-video-editing/fcp...
If you're editing in FCPX then you'll want to check out these great resources including how to cut a TV promo in FCPX, project media management and archiving using Sparsedisk images
#fcpx#final cut pro x#archiving#media managementJanuary 22, 2013, 10:29 PM
http://starwipemyass.tumblr.com/post/41213413960
So I need you to cut every time I snap my fingers
January 22, 2013, 10:23 PM
http://filmmakeriq.com/2013/01/where-to-place-soun...
Terry explains the methods of placement for absorption panels in this informational video from Auralex Acoustics.
January 22, 2013, 02:45 PM
https://www.aotg.com/the-avengers-the-editing-team-speaks/
The Avengers: The Editing Team SpeaksMeet The Avengers team—editor Jeff Ford, assistant editors Robin Buday and Matt Schmidt—and hear how they helped create one of the most successful films of all time with the help of Media Composer®, Pro Tools®, and Avid® shared storage. Catch the behind-the-scenes Q and A...
January 22, 2013, 07:51 AM
http://monicaedits.tumblr.com/post/41176080574
“Success isn’t fame, Success is just working and being good at what you do.” Jonah Ray, Comedian, The Nerdist Podcast. How do we define success for ourselves as editors?
January 22, 2013, 07:50 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
Wayne Fitzgerald's opening titles for Murder by Death produce more questions than answers, but that is the MO of any mystery worth its salt. As the titles "Murder" and "Death" hover ominously, it takes the audience a moment to register that the illustrated cutouts aren't the familiar Addams Family characters from the New Yorker, but rather a new set of characters drawn by Charles Addams acting out a scene of miniature malice.
January 22, 2013, 07:47 AM
http://www.redsharknews.com/post/item/380-what-col...
This is the sort of question that vexes film and TV people because we're torn between two things: the need to follow conventions, so that the audience can follow what's going on, and the desire to be original. Or, to put it another way, we're a bunch of insecure fashion victims who lack the courage of our own convictions.
#color#post#colour#night
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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