To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Fred Raskin on Editing Django Unchained

January 17, 2013, 04:24 PM

https://www.aotg.com/fred-raskin-on-editing-django-unchained/

From being an up and coming film editor on films such as Annapolis, Fast and the Furious Tokyo Drift and Fast Five to Quentin Tarantino's man in the cutting room on...

#editor#film editor#django#raskin#fred#unchained
Below the Line: Editing the Crash in 'Flight'

January 17, 2013, 12:31 PM

http://carpetbagger.blogs.nytimes.com/2012/12/05/b...

In some ways, the job of film editors is to make their work invisible. They hope that audiences don’t notice the editing and see only that a clear path has been drawn to the heart of the film’s story.

#editor#editing#film editor#post#flight#crash scene
Go Far!

January 16, 2013, 03:40 PM

http://www.scruffy.tv/thatpostshow/2013/1/16/go-fa...

We continue the conversation with Zack Arnold. We talk about budgets, filmmaking, kickstarter and Zack's amazing documentary, GO FAR.

Treehouse Adds Editor Jayson Limmer

January 16, 2013, 03:37 PM

http://ryansalazar.net/index.php/2013/01/treehouse...

Continuing to grow its creative staff, Dallas editorial boutique Treehouse has hired editor Jayson Limmer. Formerly with 3008, Limmer arrives with more than eight years of experience in cutting spots for agencies in Dallas and other markets, and credits that include such brands as Charter, Western Union, Gamestop, Red Lobster, HEB and Zales. In his [...]

Treehouse Adds Editor Jayson Limmer

January 16, 2013, 03:37 PM

http://www.btlnews.com/crafts/post-production/tree...

Dallas editorial boutique Treehouse has hired editor Jayson Limmer. Formerly with 3008, Limmer arrives with more than eight years of experience in cutting spots for agencies in Dallas and other markets, and credits that include such brands as Charter, Western Union, Gamestop, Red Lobster, HEB and Zales. In his first project for Treehouse, Limmer is editing a new campaign for Pennsylvania-based convenience store chain Wawa and Dallas agency The Richards Group.

William Goldenberg talks about Argo

January 16, 2013, 06:32 AM

http://www.flickeringmyth.com/2013/01/stranger-tha...

“Ben is computer and editing savvy so he has an Avid at his house and in our cutting room,” remarks William Goldenberg. “There was a tremendous amount of footage in 45mm, 16mm, and 8mm. Ben would go into his room and cull through the dailies and find pieces that he liked. We had a working cut by that point but Ben would be constantly bringing in new pieces and ask what I thought about what he had found. There are three or four cut sequences in a row Ben had put together that are in the...

An Education (2009)

January 15, 2013, 08:13 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

Jenny's bright eyes yearn for romance, the exotic - independence. She'll find all of this and more, but first there's innocence and naïve bookishness, the cajoling camaraderie of lessons and grammar school games. The simple line drawings and diagrams, folding, dancing, and multiplying over each other, pinpoint her purity, her play, and her longing to reach out and take hold of the world in all its sophisticated glory.

Eye Movement - They'll remember your story better,

January 14, 2013, 08:57 PM

http://blogs.nppa.org/editfoundry/2013/01/14/eye-m...

There is research that shows horizontal eye movements are thought to cause the two hemispheres of your brain to interact with each other.  A lot of this research is about eye movement and memory recall.  If you can get your audience’s eye moving horizontally more than they would normally and there is even the slightest [...]

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