To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

La SAE entregó dos premios a Mejor Montaje y una

March 27, 2019, 12:23 PM

http://saeditores.org/Novedades/La-SAE-entrego-dos...

Nuestro jurado otorgó el Premio a Mejor Montaje en Competencia Argentina a Valeria Racioppi (SAE) por su labor en "El silencio es un cuerpo que cae". Además, el Premio a Mejor Montaje en Competencia Iberoamericana fue para Fernando Epstein por “Las Herederas”, de Marcelo Martinessi. Por último, el jurado quiso distinguir con una Mención Especial de Montaje en Competencia Argentina a Andrés Tambornino (SAE) por “Sueño Florianópolis”, de Ana Katz.

Get EXIF Camera Data as Keywords on Video Clips in

March 27, 2019, 12:23 PM

http://www.fcp.co/final-cut-pro/news/2163-get-exif...

EVR X is an inexpensive app that turns EXIF camera data into keywords for video files in Final Cut Pro X. They can then be searched, sorted and even turned into Smart Collections.

VFX supervisor Christoph Schröer joins NYC’s Ar

March 26, 2019, 05:59 AM

https://postperspective.com/vfx-supervisor-christo...

New York City-based VFX house Artjail has added Christoph Schröer as VFX supervisor. Previously a VFX supervisor/senior compositor at The Mill, Schröer brings over a decade of experience to his new role at Artjail. His work has been featured in spots for Mercedes Benz, Visa, Volkswagen, Samsung, BMW, Hennessy and Cartier. Combining his computer technology expertise and a passion for graffiti design, Continue reading → March 25, 2019 The post VFX supervisor Christoph Schröer joins NYC...

Editor of “A Quiet Place” Christopher Tellefse

March 26, 2019, 05:59 AM

http://manhattaneditworkshop.blogspot.com/2019/03/...

Six Week Students will have the opportunity to work with the Oscar-nominated Editor for MEWShop’s April workshopManhattan Edit Workshop (MEWShop), the cutting-edge, digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the April 29th class will be acclaimed editor Christopher Tellefsen, ACE.** Christopher was previously an Artist in Residence at MEWShop in 2006 and he has since gone on to find continued ...

10 Women of Title Design – Part Five

March 25, 2019, 06:11 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

In March of 2015, we published our first feature article in celebration of International Women’s Day entitled 10 Women of Title Design. Every year since, we've returned with a new group of 10 women in the title design industry to celebrate. This year we are ecstatic to present part five, bringing the number of women showcased to 50!Here at Art of the Title, our mission is to champion the work of title designers and all those involved in the craft. The 10 Women of Title Design articles a...

10 Lessons for Recovering From a Creative Burnout

March 24, 2019, 07:32 AM

https://www.mentorless.com/2019/03/24/10-lessons-l...

It all started with a creative burnout in 2012. It took me some time to diagnose it and to heal from it, but I did. And I wrote about it. And I created a program to help others heal from it or avoid it.

Bohemian Rhapsody's Editor Speaks Out

March 23, 2019, 11:07 AM

https://news.avclub.com/bohemian-rhapsodys-oscar-w...

Bohemian Rhapsody’s got a lot of problems, though one that’s drummed up a surprising amount of online vitriol is its editing, with one scene in particular becoming a source of viral fascination. Last week, we shared a video breaking down the 60 cuts spread throughout a 104-second scene where Queen meets their soon-to-be manager, John Reid. It’s frenetic, showy work that doesn’t serve the scene, and, in a new interview with The Washington Post, editor John Ottman, who won an Oscar for his...

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