It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 2, 2016, 04:40 AM
http://www.redsharknews.com/production/item/3906-h...
How a UK-based systems integration company WTS used its unique capabilities to build a new generation of OB truck that made the operators’ skills transferrable. WTSSystems IntegrationOutside BroadcastRacetechSkills
November 2, 2016, 04:40 AM
http://www.cgmeetup.net/home/using-mayas-blend-sha...
Rooster Teeth’s Rigging Artist, Gio Coutinho gives a rundown on using Maya’s Blend Shape weights to simulate a ‘breeze effect’ for Ruby’s clothing in the hit web series, RWBY.
November 1, 2016, 12:30 PM
http://24p.com/wordpress/?p=340
An interesting workflow challenge was brought to my attention via my friend Job ter Burg ACE/NCE. He was looking for a LUT to re-edit a version of a trailer that was already in XYZ color space used in DCP delivery. The desire was to edit while looking at proper color space rather that the rather greenish look of XYZ, especially when working with producers and directors.
November 1, 2016, 11:27 AM
https://www.aotg.com/pliant-technologies-appoints-canadian-distributor/
Pliant Technologies, the new professional products division of CoachComm®, announces AVL Media Group as the exclusive distributor of its wireless intercoms in Canada. A leading national distributor to the professional integration, performance and broadcast markets in Canada, AVL Media Group is uniquely qualified to strengthen Pliant’s position in that market.
#pliant technologies#crewcom#intercoms#wirelessNovember 1, 2016, 10:23 AM
https://www.aotg.com/video-devices-gives-versatility-to-michael-larsson/
Design and Functionality of 4K Recording Monitor Puts Creativity at the Forefront for Video Professionals
#video devices#pix-e7November 1, 2016, 09:40 AM
https://www.aotg.com/miller-camera-support-llc-at-nab-ny-2016/
Miller Camera Support, LLC, a leader in the production of innovating camera support solutions, will have its latest products on display at NAB Show New York 2016 (Booth 1746), including the arrowX Series of Fluid Heads and Combo Live Pedestal Series.
#miller camera support llc#nab ny 2016#arrowx series#cb plus#combo live pedestal seriesNovember 1, 2016, 09:27 AM
http://www.postmagazine.com/Press-Center/Daily-New...
HERNDON, VA — Mixing Light is a training and educational Website featuring courses covering the spectrum of color correction for moving images. The site recently published a free, three-part tutorial on the Academy Color Encoding Specification (ACES), designed so that colorists can understand the specification and how it will impact their workflow.
November 1, 2016, 09:27 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Colorfront (www.colorfront.com), the developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, has launched Transkoder 2016 on Mac. The 4K-capable product harnesses the same advanced feature sets as the company’s PC-based Transkoder system, and broadens the product’s appeal as an HDR mastering solution for delivering Ultra High Definition (UHD) and High Dynamic Range (HDR) content.
November 1, 2016, 09:26 AM
http://www.postmagazine.com/Press-Center/Daily-New...
CUPERTINO, CA — Apple (www.apple.com) has announced a significant update to its Final Cut Pro X video editing application. The latest release includes new features features for the Magnetic Timeline, support for the newly-announced Touch Bar on the new MacBook Pros, and a redesigned interface with full support for wide color workflows. The Touch Bar replaces the keyboard’s traditional function row with a Retina-quality multi-touch display that dynamically adapts to Final Cut Pro X by put...
November 1, 2016, 09:26 AM
http://lesterbanks.com/2016/11/posterize-mattes-ti...
Workbench.tv’s Joe Clay offers a quick demonstration for creating glitch-type of effects in After Effects. Joe uses a black and white matte for the time displacement that will affect an animated layer. Before that matte, Joe adds a posterize effect that can limit the amount of colors that are being used. This can make for some The Post Posterize Mattes in Ae for Easy Time Displacement Effect originally appeared and published on %%BLOGLINK%,by lesterbanks
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.