To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Review: Avid Pro Tools 12

March 4, 2016, 06:13 PM

http://postperspective.com/review-avid-pro-tools-1...

By Ron DiCesare In 1990, I was working at a music studio where I did a lot of cut downs of 60s, 30s, 15s and 10s for TV and radio commercials. Back then we used ¼-inch analog tape with a razor blade to physically cut the tape. Since I did so many ¼-inch tape edits, Continue reading →March 3, 2016

PluralEyes 4.0: Direct Premiere Pro Sync, Red Gian

March 4, 2016, 06:10 PM

http://hdslrshooter.com/pluraleyes-4-0-direct-prem...

Red Giant recently announced the new PluralEyes v4.0 (offered as part of the new Shooter Suite v13.0), described as “the fastest, most accurate audio/video sync tool available”. The new update includes “the ability to sync with PluralEyes directly in Premiere Pro, without having to leave the host app, Smart Start capabilities, automatic drift correction, vertical track scaling, integration with Red Giant Offload, and more simplicity and automation than ever before.”

Scoring SyFy's 'Dominion' Season 2

March 4, 2016, 06:10 PM

http://soundandpicture.com/2016/03/scoring-syfys-d...

It’s no coincidence that Bill Brown dreamt the score that would later become Dominion’s Season 2 opening theme. The bold combination of thunderous pulsating electronic grit and swaying organic cello melodies form a perfect musical backdrop for a post-apocalyptic confrontation between humans and angels.

Understanding Ornatrix Maya Groom Presets

March 4, 2016, 01:23 PM

http://lesterbanks.com/2016/03/understanding-ornat...

Grooms are a preset system for Ornatrix for Maya, offering quick access to reusable stacked assets. The Post Understanding Ornatrix Maya Groom Presets originally appeared and published on %%BLOGLINK%,by lesterbanks

NOTICIA: Tangram recibe el Premio “Top Reseller

March 4, 2016, 10:46 AM

http://www.finalcutpro.es/2016/03/noticia-tangram-...

[Nota de Prensa] El pasado 1 de Marzo, Autodesk ha reconocido el trabajo realizado por Tangram Solutions durante todo el año 2015 y les ha premiado como el distribuidor con mayor crecimiento de EMEA, entrando así en el Autodesk Platinum Club. El acontecimiento tuvo lugar en Las Vegas, durante la “One Team Conference”, la reunión [...] La entrada NOTICIA: Tangram recibe el Premio “Top Reseller 2015” de Autodesk aparece primero en finalcutpro.es.

Putting Deadpool Into Practice: Premiere Pro Proje

March 4, 2016, 10:46 AM

http://blogs.adobe.com/creativecloud/putting-deadp...

As the editorial consultant on Deadpool, Vashi Nedomansky spent 9 months crafting the post production workflow used for the edit and trained the post production team in both Adobe Premiere Pro CC and After Effects CC. Here he shares the Premiere Pro project template and presets so you, too, can put them to use. Find the original posts and tons of helpful resources on his blog: VashiVisuals.com DEADPOOL PREMIERE PRO PROJECT TEMPLATE Vashi: After I was hired as editorial consultant on Deadp...

Create a Space Scene Entirely In BlackMagic Design

March 4, 2016, 10:45 AM

http://lesterbanks.com/2016/03/space-scene-blackma...

Chetal Gazdar leverages Fusion's 3D environment and particles to create a space scene. The Post Create a Space Scene Entirely In BlackMagic Design Fusion originally appeared and published on %%BLOGLINK%,by lesterbanks

How the Hollywood film Whiskey Tango Foxtrot was e

March 4, 2016, 10:45 AM

http://www.fcp.co/final-cut-pro/articles/1780-how-...

Whiskey Tango Foxtrot is the new comedy war film from Paramount Studios starring Tina Fey. We asked director Glenn Ficarra, Editor Jan Kovac, Assistant Editor Kevin Bailey and Apprentice Editor Esther Sokolow how the film was made, what was different from Focus and of course how well Final Cut Pro X performed? We think you know the answer already, but again their detailed workflow is well worth a read. Especially if you are going to cut your next Hollywood feature film on Final Cut Pro X!

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.