To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

'Hiroshima mon amour' [90 to 5 Editing Callenge]

September 20, 2012, 10:20 PM

http://editorunderconstruction.blogspot.com/2012/0...

(In Spanish) A great idea that has circulated on the Internet a few months ago, I communicated here when I heard about it, made ​​me have a good time this summer. As I mentioned then, it was a fitting contest free and open to everyone. The aim was to reduce public domain film less than 5'50"'. Well, was not meant to be a.

'Detour' [90 to 5 Editng Challenge]

September 20, 2012, 10:19 PM

http://editorunderconstruction.blogspot.com/2012/0...

(In Spanish) I kind of memory over the second assembly for the contest assembly 90 to 5 Editing Challenge, which was to reduce public domain film within 5'50''. In another entry I talked this over assembly, and some decisions I made, which was the first film to present: Hiroshima mon amour.

Having Trouble in Job Interviews?!

September 20, 2012, 10:18 PM

http://www.hollywoodpostproduction.com/550850/2012...

An article about job interviews by Video Symphony.

Mark Warner Working with Directors

September 19, 2012, 05:12 PM

https://www.aotg.com/mark-warner-working-with-directors/

Editor Mark Warner (Driving Miss Daisy, Big Trouble in Little China, Sanctum) talks about how he got into the industry, working with director Bruce Bersford, and encourages those starting out in the post production industry.

Academy Announces Key Dates for the Oscars

September 19, 2012, 03:08 PM

http://www.btlnews.com/awards/academy-announces-ke...

In an effort to provide Academy members and the public a longer period of time to see this year's crop of Oscar-nominated films, the Academy of Motion Picture Arts and Sciences announced that it will reveal the Academy Award nominations on Jan. 10, five days earlier than previously announced.

Art of the Title: 21 Jump Street (2012)

September 19, 2012, 09:09 AM

http://www.artofthetitle.com/title/21-jump-street/...

It's easy to get swept up in the surge of gratuitous imagery delivered by Imaginary Forces for their main-on-end titles to 21 Jump Street. Amongst the mix of drugs, sex, horse cock, and explosions on the order of ridiculous, there lies a masterful choreography of color and motion.

Editing The Avengers

September 18, 2012, 02:49 PM

http://www.aotg.com/cuttingroom/2012/09/18/editing...

Jeffrey Ford and I met at Edit Fest New York after his panel where he and his first assistant Kiran Pallegadda discussed how they approached editing The Avengers.  The two have been working closely on several projects including: Crazy Heart, Public Enemies, and Captain America: The First Avenger. Jeffrey's work shows a wide range of pacing, storytelling...

How the editing suite can make a performance

September 14, 2012, 11:41 AM

http://arts.nationalpost.com/2012/09/13/how-the-ed...

Films can be shot in Toronto or Montreal or Mumbai. They can be set in Ireland, Indonesia or on Mars. But they are all made in the same small place: the editing suite. It's where good performances and bad ones are created — for better or worse.

Walter Murch on Side by Side

September 13, 2012, 03:11 PM

http://editorunderconstruction.blogspot.com/2012/0...

A documentary called Side by Side (http://sidebysidethemovie.com) that exposes the replacement of analogue by digital media in the world of film, will have great filmmakers like Martin Scorsese, David Lynch or Lars Von Trier. A part of directors, in the film, there will be the wise words of many more filmmakers (web all normbres).

Milton Ginsberg Discusses His Work

September 13, 2012, 03:06 PM

https://www.aotg.com/milton-ginsberg-discusses-his-work/

Editor Milton Ginsberg, A.C.E. discusses his favorite moments in "Last Year at Marienbad."

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