To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Screen Scene VFX Showreel 2016

February 10, 2016, 10:32 AM

http://www.cgmeetup.net/home/screen-scene-vfx-show...

Screen Scene an Ireland’s leading Post Production Company. Based in the heart of Dublin, working with some of the best in the business and winning more than our fair share of awards along the way. Big on brains and high on heart, they offer a one stop, Picture, Sound and VFX service for TV, Film and Commercials.

Finding the Rewards in Your Work

February 10, 2016, 10:32 AM

http://linecheck.soundgirls.org/2016/02/10/finding...

I often forget that my job is pretty unique. It’s just what I do, just like everyone else sometimes it is hard to get up and go to work. I find it especially hard right now in the dead of winter and in my quiet season. But then every once in a while I am reminded my job is pretty awesome.

4 Reasons To Add Reverb To A Track

February 10, 2016, 10:32 AM

http://bobbyowsinski.blogspot.ca/2016/02/4-reasons...

Like many other aspects to mixing, the use of reverb is frequently either overlooked or misunderstood. Reverb is sometimes added to a track to create width and depth, but also to dress up an otherwise boring sound. The real secret is how much to use and how to adjust its various parameters.

Super Bowl 50: Arcade Edit cuts Bud Light, T-Mobil

February 10, 2016, 05:47 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Arcade Edit, with offices in New York and LA, cut 12 spots that aired on Super Bowl Sunday. The studio cut commercials for Hyundai, Buick, T-Mobile and Bud Light, among others.

Software Update: Trapcode 13.0.1

February 10, 2016, 05:47 AM

http://feeds.redgiantsoftware.com/~r/redroomblog/~...

Hi Folks - today we've released an update to Trapcode Suite 13, with fixes that resolve issues in Trapcode Particular 2.5 and Trapcode Tao, as well as the Trapcode Suite installer. Here's what's in the release... The post Software Update: Trapcode 13.0.1 appeared first on Red Giant.

As someone who works in the tv and film business I

February 10, 2016, 05:47 AM

http://renderplease.com/post/139027772460

Thank you so much! :D Glad to keep the laughs going (just don’t die…ha)

Kyle hires editor Brian Sanford, gets new space, a

February 10, 2016, 05:47 AM

http://postperspective.com/kyle-hires-editor-brian...

Editor Brian Sanford joins Kyle Edit just as it moves to a new location in New York’s the Flatiron District. This experienced cutter has worked with agencies such as BBDO, DDB, Grey, Digitas, RGA, Saatchi, McCann and Taxi on brands, including Lowe’s, Time Warner, Etrade, Mucinex, Guinness and Miller Light. Most recently, Sanford’s work can be seen in Jeep’s Super Bowl 50 spot, which ranked number one in Adweek’s roundup of “The 5 Best Ads of Super Bowl 50” and won first plac...

Checking in with AlphaDogs’ Terry Curren on late

February 10, 2016, 05:46 AM

http://postperspective.com/checking-in-with-alphad...

By Randi Altman Colorist and editor Terence Curren is the owner of Burbank-based post house AlphaDogs. He is also a co-host of the Terence & Philip Show podcast and founder of the monthly Editor’s Lounge events in LA. As if he wasn’t busy enough, Terence recently produced his second informational video on the power of color. His first offering tackled fixing production mistakes using color correction. This new offering shows how color grading can help tell a story, whatever that story m...

The NFL’s Magic Yellow Line Explained

February 10, 2016, 05:46 AM

http://www.studiodaily.com/2016/02/the-nfls-magic-...

Without getting technical, Vox takes a look at the yellow first-down line superimposed on the gridiron for NFL games — including how it works and when it doesn't work — and other innovations in contemporary sports broadcasting. The post The NFL’s Magic Yellow Line Explained appeared first on Studio Daily.

Gobos

February 10, 2016, 05:46 AM

https://www.aotg.com/gobos/

Although the term "gobo" can mean different things, to audio people, a gobo is a movable wall or divider to help isolate the sound of a particular individual or group of musicians or vocalists. This idea is a result of the close-miking techniques that were proposed by both Les Paul and Tom Dowd.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.