It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 4, 2016, 07:47 PM
http://www.fcp.co/final-cut-pro/news/1769-updates-...
The wait is over! There are updates to all the three main Apple video applications and an update to the Pro Video Formats as well. Yes, it looks like the timecode bug in the dashboard of FCPX has been fixed!
February 4, 2016, 07:46 PM
https://www.aotg.com/fcpx-10-2-3-in-under-5-minutes-customizable-defau/
In "Under 5 Minutes" Mark Spencer will show you how to easily reassign the default video or audio effect to one of your choosing. This feature is brand new in Final Cut Pro 10.2.3.
February 4, 2016, 07:46 PM
http://deadline.com/2016/02/oscars-mad-max-mark-ma...
Of the many aspects of the multidisciplinary craft of filmmaking, it seems that the art of sound design is the least appreciated, and also the least understood. Luckily, Oscar-nominated supervising sound editor Mark Mangini got on the phone with Deadline to shine a little light, after receiving a fourth Oscar nod for his work in George Miller’s singular tentpole film, Mad Max: Fury Road. In a career stretching back to the ‘70s, Mangini considers Miller to be one of his greatest collaborators...
February 4, 2016, 07:46 PM
http://www.nytimes.com/2016/02/04/movies/oscars-20...
Energetic in its pacing and rule-breaking in its style, “The Big Short” keeps viewers on their toes. Characters break the fourth wall and stock footage is mixed with more traditional scenes to tell the story of the housing collapse, a drama both tragic and darkly funny. To assemble these ideas into a cohesive whole, the director Adam McKay brought in the editor Hank Corwin, who had worked with Oliver Stone and Terrence Malick.
February 4, 2016, 01:25 PM
http://renderplease.com/post/138681979965
February 4, 2016, 01:25 PM
http://boscpug.org/boscpug_011416/
Don't miss our first BOSCPUG of 2016 on Thursday, Jan. 14th: an evening with Alan Edward Bell, A.C.E. ('The Hunger Games: Mockingjay - Part 2') on Performance Enhancing VFX in the Editing Room!
February 4, 2016, 01:25 PM
http://postperspective.com/directshare-offers-larg...
Now available from Cloudtenna, a provider of rapid file transfer and collaboration solutions, is its lightweight DirectShare software, which is designed to send large, chunky files quickly. The company says it actually reduces the time it takes to execute transfers to remote offices and outside guests by 10x or more. The solution uses DirectShare’s core Direct Collaboration File Share (DirectCFS) software layer to provide speed and security, making sure data is never copied or moved to th...
February 4, 2016, 01:24 PM
https://www.aotg.com/ben-hur-wins-special-effects-1960-oscars/
Haya Harareet presenting the Oscar® for Special Effects to A. Arnold Gillespie, Robert MacDonald and Milo Lory for "Ben-Hur" at the 32nd Academy Awards in 1960. Hosted by Bob Hope.
February 4, 2016, 01:24 PM
https://www.aotg.com/10-types-of-comedic-entrances/
Examples of comedic entrances from animation and live action films.
February 4, 2016, 11:23 AM
http://www.digitalproductionbuzz.com/2016/02/trans...
GUESTS Philip Nelson, Senior Vice President of Strategic Development, NewTek Cirina Catania, Producer, Digital Production Buzz Michael Kammes, Director, Technology & Marketing, Key Code Media The post Transcript: Digital Production Buzz – February 4, 2016 appeared first on Digital Production BuZZ.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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