It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 26, 2012, 09:33 AM
http://kyleesportfolio.com/blog/?p=658
When a dire situation is at hand, an cuddly little animal called the hairy frog (or even more affectionately, the horror frog) intentionally breaks its bones to form claws. Another creature called a horned lizard creates pressure in its nasal...
June 25, 2012, 10:32 PM
http://provideocoalition.com/index.php/freshdv/sto...
And now for something completely different. I grew up loving Monty Python, so I was delighted to find this presentation by Python John Cleese on the subject of creativity. In the video embedded below, he breaks down what he has found necessary for the creative process into five specific things...
June 25, 2012, 10:12 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK - Cut + Run (www.cutandrun.tv) editor Gary Knight recently completed work on a new spot for Puma. Directed by Prettybird's Paul Hunter for Droga5, the commercial features athletes Fernando Alonso, Rickie Fowler, Yuvraj Singh, and Sergio on a large treadmill, running to keep up with the pace.
June 25, 2012, 03:04 PM
http://twainthestoryteller.wordpress.com/2012/06/2...
Laura Quigley is a short form editor based in London, England. For the past 4 years Laura has been working for a marketing agency that specializes in producing trailers, television spots and promos for feature films and television shows...
June 25, 2012, 09:18 AM
http://nofilmschool.com/2012/06/using-sound-editin...
I’ve shared quite a bit of camera information lately, so I thought it was time to come back with another short film. All too often science fiction films rely on certain crutches to tell a story, forgetting that storytelling relies on all of the other aspects of filmmaking technique to succeed. The chilling and gruesome mutations are the main attraction, but the rest of the technique is what keeps The Gate, from Matt Westrup, chilling and powerful through its entirety.
June 25, 2012, 09:17 AM
http://www.artofthetitle.com/title/ghost-in-the-sh...
A classic upon its release, the title sequence to Ghost in the Shell is a curious mix of 8-bit type animation, then-hi-tech CGI, dreamy anime and naked torsos, all set to composer Kenji Kawai’s intimidating, minimalist score. It follows the construction of a cyborg from the inside out, first embracing a cold, tech-heavy aesthetic as the robot’s inner-core is assembled, feathering into softer imagery and warmer colors as the cyborg takes on a more human form, soon emerging from the mechanical...
June 24, 2012, 09:50 AM
http://www.monteursassocies.com/2012/06/24/au-mont...
(In French) Simply go to places of assembly in the evening to see that there is often many hours. And when they are additional, it is very rare that they are paid, even though they should.
June 23, 2012, 04:01 PM
https://www.aotg.com/angus-wall-ace-beginnings-as-an-editor/
Angus Wall, ACE, 2011 Oscar Nominee for Film Editing on The Social Network answers the question, How did you get into the business and did you always want to be an editor at the 2011 Invisible Art, Visible Artist Film Editor Oscar Nominee Panel.
June 23, 2012, 08:53 AM
http://news.creativecow.net/story/869135
(Santa Monica, California--June 22, 2012) MPC LA is pleased to announce the addition of their second colorist, Ricky Gausis, to bolster a US color grading department headed by Creative Director Mark Gethin. Gausis, who has worked at MPC for 10 years, has developed an individual style influenced by Jean-Clement Soret in London.
June 22, 2012, 03:20 PM
http://www.btlnews.com/crafts/post-production/fiil...
In an effort to educate and motivate Americans across the country to support legislation for the National Women's History Museum (NWHM), which would lead to the construction of a museum on the National Mall, NWHM has reached out to Hollywood's brightest stars to launch a grassroots Public Service Announcement (PSA) campaign based on the theme,
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.