It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 10, 2014, 02:03 PM
http://news.creativecow.net/story/874728
(Hillsboro, Oregon--March 10, 2014) Consumer demand for exceptional viewing performance and quality is soaring, and new standards such as UHD/4K are driving the need for higher resolutions and higher frame rates throughout the broadcast distribution chain.
March 10, 2014, 09:48 AM
http://www.slashgear.com/shutterstock-ceo-says-get...
Getty Images announced a big change recently that opened up its image library to a huge number of users at no cost. There were a few major strings attached to the free images offer though. One of those big strings was that the images couldn't be used for commercial purposes.
March 10, 2014, 09:48 AM
http://www.creativeplanetnetwork.com/the_wire/2014...
Burbank, CA (March 10 , 2014) – Larry Jordan & Associates, Inc. and the Digital Production BuZZ (www.digitalproductionbuzz.com) announced today it has partnered with Moviola to bring video broadcasts to the Digital Production BuZZ at NAB 2014 from its booth #SL11505 in the Las Vegas Convention Center. The Digital Production BuZZ has been an Official Media Partner of the NAB since 2008 and has brought listeners the hottest news, insights and perspectives from the production and post production ...
March 10, 2014, 04:46 AM
http://www.fcp.co/final-cut-pro/news/1364-using-a-...
An excellent Final Cut Pro X user story from Jonathan Gilbert at Anchour. He produces some cracking pictures from his Canon 5D MkIII using a Raw workflow which end up in FCPX.
March 10, 2014, 04:46 AM
http://digitalcinemacafe.com/2014/03/10/fcg028-lea...
With a looming deadline and unending blue render bars, Charles knew he needed to move past Final Cut Classic and on to FCPX. Amazingly enough even though he had a huge job for an important client… he made the jump.
March 10, 2014, 04:45 AM
https://www.aotg.com/apples-new-mac-pro-and-premiere-pro-cc/
In this video Dave Helmly gives you a quick tour of Apple's New Mac Pro running Premiere Pro CC in various workflows including Multi Layer GPU Effects, 4K, M...
March 10, 2014, 04:44 AM
http://feedproxy.google.com/~r/industryhappenings/...
The MediaMotion Ball (MMB) is from 5:30pm on Monday April 7th at NAB. $49 + fees (advance ticket purchase) gets you a great sit down dinner, dessert and entry into prize draw. There is also a cash bar. Meet the who’s who of the production industry, representatives from all your favorite suppliers and of course great prizes. We expect tickets to sell out late March – there will be no tickets at the door. The MediaMotion Ball will be at the Monte Carlo Resort & Casino (in the Mai...
March 8, 2014, 03:15 PM
http://pospotime.wordpress.com/2014/03/08/back-to-...
Half a year after the first “Maison Quérigut” work, I returned to Le pays du Donezan for a second approach. In the beginning, talking with Gil about this series of videos, we accorded… Continua llegint →
March 8, 2014, 10:27 AM
http://www.broadcastprome.com/reviews/let-there-be...
Arab filmmaker Saleh Nass explores the capabilities of the Lightworks Pro while editing his latest short film, Central Market. He shares his experience with BroadcastPro ME.
#editing#nle#post#lightworks#short film#place tags heditshare#bahrain#centralmarket#world cinema#saleh nassMarch 8, 2014, 08:06 AM
http://blogs.adobe.com/premierepro/2014/03/premier...
There has been a lot of confusion and misinformation recently about how well Premiere Pro CC runs on Apple’s latest professional desktop machine, the new Mac Pro. I’m happy to say that, due to the meant-to-be combination of the Mercury Playback Engine and the immense power of the hardware, you can expect absolutely phenomenal performance. In this video, our man Dave Helmly takes you through just what it can do (and there’s even a surprise at the end, so if you ever work with RED media,...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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