It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 15, 2012, 04:12 PM
http://www.videomaker.com/community/videonews/2012...
Last week we looked at one new tool for tidying up your videos in post-production. The Fix it in Post DVD is Videomaker's answer to the eternal question, "Oh no, this footage is messed up! What do I do now?" We like to think that the Fix it in Post DVD will help answer any post-production mess that you could encounter, from washed out colors to shaky camera work.
March 15, 2012, 09:26 AM
https://www.aotg.com/maysie-hoy/
Maysie Hoy speaks at HPA's event.
March 14, 2012, 02:19 PM
http://editorunderconstruction.blogspot.com/2012/0...
(In Spanish) The Hunger Games, cut by two prestigious film editors: Stephen Mirrione Welfling and Juliette, the latter one of my favorites states, you must reduce your footage in England by the taste of the opulence of the "chairmen" are not willing to receive rating of more than 15 years for his film.
March 12, 2012, 02:10 PM
http://robtheeditor.tumblr.com/post/19169592354/qu...
How did I come up with those textures?
March 12, 2012, 09:48 AM
http://www.joyoffilmediting.com/index.php/archives...
Some shows exhibit effects so stunningly original that they ignite a creative revolution and make their designer the unsung auteur (author) of the film. Conversely, many effects go unheralded, such as wire removals (painting out wires used to make actors fly) and composites e.g. adding or subtracting buildings from landscapes but contribute mightily to the...
March 11, 2012, 01:01 PM
https://www.aotg.com/schoonmakers-advice-for-young-editors/
"Just get your foot in the door". (Mantn foot inside / contact. In Castilian have that expression. Here, the assembler means that we start working with it in order to get better at the same company in the future, ie , move up charge).
March 11, 2012, 12:57 PM
https://www.aotg.com/jay-rabinowitz-on-editing-rampart-pt-2/
Acclaimed editor Jay Rabinowitz talks about a scene from the film "Rampart" at ProductionCONN 2011, as part of the "Inside the Cutting Room with Bobbie O'Steen" series. Produced by Manhattan Edit Workshop. Edited by Daniel Jamieson. For more information on ProductionCONN go to productionconn.com.
March 11, 2012, 12:55 PM
http://editorunderconstruction.blogspot.com/2012/0...
Editing is the ongoing process of disguising how bad the film really is," [...] "Every day we edit, we make the film suck less.
March 10, 2012, 04:50 PM
http://www.moviemaker.com/editing/article/everythi...
From rap music to survivalists, bullet-proof clothing to porn conventions, you name it and moviemaker Chris Tellefsen has probably edited it. Without the benefit of a film school education, Tellefsen has gone from art student to in-demand film editor with an eclectic resume that includes such diverse titles as Whit Stillman's Metropolitan, Larry Clark's Kids, Milos Forman's Man on the Moon, Robert Benton's The Human Stain, M. Night Shyamalan's The Village and Bennett Miller's Capote.
March 10, 2012, 10:36 AM
http://blog.thephoenix.com/BLOGS/outsidetheframe/a...
South by Southwest is just picking up speed in rainy Austin, and Boston has already made the news. Just ahead of the film festival's award ceremony on March 13 came the announcement that the Karen Schmeer Film Editing Fellowship will be given to Lindsay Utz, editor of the controversial "Bully" documentary that is currently fighting with the MPAA over its recent rating ruling.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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