It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 6, 2012, 03:18 PM
http://www.csc.ca/news/default.asp?aID=1540
The relationship between an editor and a director of photography is like a long-distance romance, according to Bomb Girls editor Teresa De Luca C.C.E. You really have to appreciate the sort of unspoken, unwritten creative aspect that each of the two creative people bring to the table. We try to show off each other's best work. Even though in this day and age, especially in television, the editor does not work side by side with the DOP, De Luca says, The way that we're a team is that...
February 5, 2012, 03:36 PM
http://editorunderconstruction.blogspot.com/2012/0...
(In French) After attending Henri Langlois at the French Cinematheque, Herve de Luze began his career as editor at Gaumont in making news headlines. By 1979, began an important collaboration with Roman Polanski accompany it in most of his films, Tess in The Ghost Writer. He soon worked with Claude Berri, André Techine, Bruno Podalydes or Maurice Pialat and quickly reached the rank of the most recognized assemblers.
February 5, 2012, 11:03 AM
http://scruffythinking.com/thatpostshow/2012/2/4/e...
On this Episode of That Post Show, we are proud to have Ken Simpson discuss low-budget films and his upcoming movie, Headcase. This is part two of a two-part show.
February 4, 2012, 11:48 AM
https://www.aotg.com/the-descendants-editor-kevin-tent/
Kevin Tent, editor of The Descendants discusses his work.
February 4, 2012, 11:46 AM
http://editorunderconstruction.blogspot.com/2012/0...
(In Spanish) The editor Gustavo Giani brasileo speaks a little Beetle assembly, a film about a capoeira fighter which won the Best Editing nominacin at Grande do Cinema Brasileiro Prmio in 2009.
February 3, 2012, 02:55 PM
http://www.cinemaeditormagazine.com/2012/01/americ...
On my last trip to the Netherlands this past April, a group of Dutch feature film editors invited me to dinner where they asked me to become the first honorary member of their newly formed organization, NCE. Loosely translated, NCE stands for the Netherlands Organization of Cinema-Editors (www.cinemaeditors.nl).
February 3, 2012, 01:35 PM
https://www.aotg.com/josh-diamond-and-blue-valentine/
Editor Josh Diamond discusses the use of multiple timelines as seen in Blue Valentine. For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by John Schlirf.
February 3, 2012, 11:46 AM
http://magazine.creativecow.net/article/editing-th...
In Atlanta to work on 'The Three Stooges,' the editor of 'There's Something About Mary' and 'Kingpin' reflects on comedy, timing, and editing as a team sport.
February 1, 2012, 11:32 PM
http://www.evanschiff.com/bd/articles/mission-impo...
In terms of workflow, planning for MI4 was certainly a challenge. We had six camera formats including 35mm; 65mm; and RED, as well as three release formats for normal theaters, IMAX Digital, and IMAX Film. Keeping all of that together took a little bit of effort.
February 1, 2012, 11:30 PM
http://www.postmagazine.com/Press-Center/Daily-New...
BEVERLY HILLS -- Final ballots for the 84th Academy Awards were mailed on February 1 to the 5,783 voting members of the Academy of Motion Picture Arts and Sciences. Completed ballots must be returned to PricewaterhouseCoopers by 5pm on Tuesday, February 21.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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