To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FCPX and the Mac Pro: A real broadcast job, real e

January 9, 2014, 12:53 PM

http://www.fcp.co/final-cut-pro/news/1317-fcpx-and...

No more testing in the office, we took the Mac Pro on the road for a real outside broadcast TV job. This was cutting on the front line. So just how did the Mac Pro perform? You will be in for a very short surprise.

Mac Pro AMD GPU Getting Full Hardware Acceleration

January 9, 2014, 12:53 PM

http://nonlinearpost.com/mac-pro-amd-gpu/

Mac Pro AMD GPUs Getting Full Hardware Acceleration Support in Blackmagic Resolve 10 & Adobe CC - play back clips on the timeline in 4K and beyond.

AE - DE:Flicker Smooths Flicker

January 9, 2014, 12:52 PM

http://lesterbanks.com/2014/01/after-effects-defli...

New from the people that brought you ReelSmart Motion Blur and Twixtor, RE:Vision Effects announces a new offering in DE:Flicker which is set to rectify the artifacts, flicker, and lighting changes that occur when shooting high frame rate (slow motion) or time-lapse footage, or even sequential photographs.

Avid shares drop amid possible delisting

January 9, 2014, 10:07 AM

http://www.bizjournals.com/boston/blog/techflash/2...

Shares in Avid Technology on Wednesday fell 11 percent after the Burlington, Mass.-based company said its stock could be delisted from the Nasdaq Stock Market.

Neil’s Puppet Dreams: Lullaby

January 9, 2014, 10:04 AM

http://postfifthpictures.com/2012/11/neils-puppet-...

Here is a side project I have been cutting lately. Would love to hear what you think.This is the first webisode of 7 for the Nerdist channel.

FCPX 10.1 Shootout

January 9, 2014, 10:00 AM

http://www.barefeats.com/tube05.html

Final Cut Pro X 10.1 features "optimized playback and rendering using dual GPUs in the new Mac Pro." As some of you know, we already showed the optimization affecting the 2010 Mac Pro tower's performance. Thanks to the OWC test lab, we can show you how the 2013 Mac Pro with dual FirePro D300s and D500s performs when rendering FCPX's GPU intensive video effects.

It’s All About The Workflow!

January 9, 2014, 09:59 AM

http://crewscontrol.com/index.php/blog-central/its...

Hands-on experience has shown us that Sony’s recently introduced PMW F5 & F55 camera systems are two of the most versatile large sensor cameras produced so far.

A Q and A with Avid about Sphere, ISIS and Interpl

January 9, 2014, 05:38 AM

http://provideocoalition.com/ssimmons/story/a-q-an...

Adobe made a big splash over the last year + with Adobe Anywhere, their “real-time collaboration” platform meant to connect editors without physical limitations. If you have the right hardware then Adobe Premiere Pro CC is ready for Adobe Anywhere. Avid also has their own version of this real-time collaboration idea … in fact Avid had this option available before Adobe had Anywhere. It’s called Interplay Sphere and I don’t know much about it. Since The Editblog did a Q and A with A...

Breathing new life into old Mac Pros

January 9, 2014, 05:37 AM

http://www.macworld.com/article/2084814/breathing-...

As we saw in our first round of benchmarks, the new Mac Pro is more of a specialized workstation than a general purpose computer. In fact, unless you’re using a pro app that takes advantage of multiple processing cores, a tricked-out iMac may outperform the new Mac Pro.

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