It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 29, 2011, 10:02 AM
http://editorunderconstruction.blogspot.com/2011/0...
Editor Andrew Weisblum, A.C.E. discusses the challenges of editing a very intricate, geographically challenging scene from Darren Aronofsky's Black Swan. For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by John Schlirf.
August 29, 2011, 10:02 AM
http://editorunderconstruction.blogspot.com/2011/0...
Videoclips de USA nominados la edicion de este ao 2011 al mejor montaje. La gala y entrega de premios se desarroll ayer da 28 de agosto. Dejo el video ganador y el resto de videos nominados a la categoria de mejor montaje.Para los videos que ya estaban posteados en el blog dejo el link a la respectiva entrada.
August 29, 2011, 01:03 AM
http://crash-sues.com/cp/PR/ClientQTs/BreadthofPro...
CRASH+SUES editor Carrie Shanahan cuts another spot for ATVs maker, and SUE takes color correction to the next level on her new Digital Vision-Based Color Suite
August 28, 2011, 09:57 AM
http://www.sandiegoreader.com/weblogs/big-screen/2...
With Netflix and Red Box both entering the film distribution market, it's a wonder that it took YouTube so long to find its way to the big screen. YouTube partnered with Ridley Scott's company Scott Free and director Kevin Macdonald (The Last King of Scotland) in hopes of forming a "user-generated feature-length documentary." Shot on July 24, 2010, Life in a Day, which is currently playing at UA's Horton Plaza, asked people to capture a moment of their life on video and send it in.
August 27, 2011, 08:54 AM
http://www.moviescopemag.com/insiderspov/miscellan...
While studying at Bournemouth Film School, Colin Goudie had every intention of becoming a director. "I wanted to be a director, but I always found that I had these very high expectations of what I was going to achieve. As you were filming, your expectations of what you were trying to achieve got lower.
August 25, 2011, 02:03 PM
https://www.aotg.com/alan-heim-supervising-editor-forever-plaid/
Alan Heim - Supervising Editor - Forever Plaid - HD
August 25, 2011, 09:23 AM
http://manhattaneditworkshop.blogspot.com/2011/08/...
Editor Keith Reamer talks about his experiences editing the foreign language film Amreeka at EditFest NY 2011. For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by John Schlirf.
August 25, 2011, 08:55 AM
http://www.chris-portal.com/2011/08/25/the-paper-e...
This is belated post, but after spending hours transcribing our interviews on day 8, day 9 was all about the paper edit, i.e. breaking down your transcripts into a series of note cards, each with a sound bite from your interview, and using those as a basis to describe the story, characters, beats, hooks, B-roll, etc. that will make up your film.
August 24, 2011, 06:38 PM
http://manhattaneditworkshop.blogspot.com/2011/08/...
LOS ANGELES / NEW YORK - The Karen Schmeer Film Editing Fellowship was created to assist emerging editors by supporting and developing their talent, expanding their creative community, and furthering their career aspirations. In conjunction with American Cinema Editors (ACE) and other partners, the Fellowship, in its second year, offers a wide array of opportunities for promising film editors, in both documentary and fiction.
August 24, 2011, 08:54 AM
http://flickeringmyth.blogspot.com/2011/08/cutting...
"When I was a really small girl I was very horsey; I used to think I’d like to be a race horse trainer," recalls British film editor Anne V. Coates whose cinematic career spans over six decades. "Once I reached about 16 and became interested in movies, I thought I would like to be a movie director."
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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