Sherlock Christmas Special 2015

January 6, 2016, 01:34 PM

http://www.milk-vfx.com/project/sherlock-christmas...

Milk created all of the VFX for the hotly anticipated 90 minute Sherlock special episode “The Abominable Bride” for Hartswood/BBC. It aired on New Year’s Day 2016 on BBC One and in cinemas worldwide

“Through The Lens” from Adorama Premieres Toda

January 6, 2016, 10:44 AM

http://www.marketwired.com/press-release/season-tw...

Adorama today premiered season two of its popular online series “Through The Lens.” Making its official debut this past July, the YouTube show documents some of Instagram’s most popular photographers, featuring a different artist in every episode. While season one of the show focused on New York photographers and culture, season two goes nationwide, showcasing Instagram’s top accounts from all over the country.

Contenders – Sound Editor and Mixers Christopher

January 6, 2016, 10:30 AM

http://www.btlnews.com/awards/contenders-sound-edi...

In what started as a stage play written by Charlie Kaufman, the stop-motion animated feature Anomalisa took over two years to finish before its Dec. 30 release date – even a successful Kickstarter campaign encouraged it to see the light of day. The post Contenders – Sound Editor and Mixers Christopher Aud and Aaron Glascock, Anomalisa appeared first on Below the Line.

Contender – Editor David Rosenbloom, Black Mass

January 6, 2016, 10:29 AM

http://www.btlnews.com/awards/contender-editor-dav...

Editor David Rosenbloom was recommended to director Scott Cooper by both Relativity Media executive Robbie Brenner and Crazy Heart editor Jeffrey Ford, who was unavailable to work on Black Mass, the true story based upon the life of Whitely Bulger (Johnny Depp), the infamous Boston criminal and FBI informant. The post Contender – Editor David Rosenbloom, Black Mass appeared first on Below the Line.

How to create Lightsaber sound effects

January 6, 2016, 10:28 AM

https://www.aotg.com/how-to-create-lightsaber-sound-effects/

The lightsaber sound from Star Wars was created by legendary sound designer Ben Burtt. He combined the sounds of a 35mm projector and a 70s tube TV to create one of the most iconic sounds in movie history.

Sennheiser's 3D audio will finally make VR complet

January 6, 2016, 10:28 AM

http://www.engadget.com/2016/01/06/sennheiser-3d-a...

Virtual reality is incomplete without immersive audio. Even though you might be able to strap on a headset and be visually transported, the absence of 3D audio can quickly break your illusion. With stores getting ready to stock VR headsets this year, the need for an audio experience that can match, and even enhance, the visuals is more pressing than ever. Today at CES, Sennheiser announced AMBEO, a 3D audio technology that promises to change the way audio is captured and reproduced.

Avid MC 101, Part 18: Media Creation Setting

January 6, 2016, 10:28 AM

http://news.doddleme.com/blogs/post-production/avi...

When working in Avid Media Composer, you have the ability to attach multiple hard drives to your system. The big question remains: How do you decide what assets (media, renders, effects, etc.) you want to go on what drives? Well, that’s where the Media Creation Tool comes into play.

Types of Film Cuts

January 6, 2016, 07:19 AM

https://www.aotg.com/types-of-film-cuts/

This was a project that I worked on for an editing class in film school. We had to identify specific examples of various types of cuts. I actually got the "before action" cut wrong. My example from Lord of the Rings was more of a reaction cut.

Q&A: How do I record sound for a car scene?

January 6, 2016, 07:18 AM

https://www.aotg.com/qa-how-do-i-record-sound-for-a-car-scene/

Today we talk CGI, car audio, wide angle lenses, talent releases, and if there's a vertical 180 degree rule.

Are You the Best? Prove it with A Gaming Montage.

January 5, 2016, 05:25 PM

http://tracking.feedpress.it/link/9766/2291073