To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Editorial Network

June 1, 2011, 08:53 AM

https://www.editorsguild.com/magazine.cfm?ArticleI...

On a chilly Saturday Oscars eve morning, the American Cinema Editors (ACE), with support from the Motion Picture Editors Guild, held its 11th annual Invisible Art/Visible Artists Seminar with the Academy Award-nominated picture editors. Moderator Alan Heim, A.C.E., welcomed an enthusiastic crowd to the Egyptian Theatre in Hollywood, celebrating the Oscar nominees and their work.

CUT /PRINT - Dream Repair Man

June 1, 2011, 08:51 AM

https://www.editorsguild.com/magazine.cfm?ArticleI...

I've been a film editor for more years than I care to remember," writes Jim Clark. And though he has tried his hand at directing and writing, "It's in the cutting rooms that I've made my most substantial contributions," he claims. With this engaging and highly entertaining autobiography, Clark recounts an illustrious career as an editor on films like The Innocents (1961), Charade (1963), The Killing Fields (1984; for which he won an Academy Award), Marathon Man (1976)...

TAIL POP - Good Will Hunting

June 1, 2011, 08:49 AM

https://www.editorsguild.com/magazine.cfm?ArticleI...

In the fall of 1997, I had my first existential crisis. I was a business major at the University of Arizona, complete with internship at Merrill Lynch. I played video games, drank beer and watched every conceivable sporting event with my fellow future stockbrokers. I went through the motions, slept through accounting classes and generally did what I was "supposed" to do. But something didn’t feel right.

Episode 58 - Lauren's Render Files 3

May 31, 2011, 07:36 PM

https://www.aotg.com/episode-58-laurens-render-files-3/

In this episode Gordon interviews Josh Apter, Laurena and Gordon announce their first ever pub night in LA, and they talk about Edit Fest and where to get tickets.

Just say no!

May 31, 2011, 05:34 PM

http://www.macvideo.tv/blogs/index.cfm?entryid=328...

Freelance life - famine or excessive feast. We're either busy beyond belief, or hunting around for new projects to bring in. I’ve enountered, many a time, in the midst of having taken on way too much work, a situation where to keep taking in work becomes extremely counter-production.

Jamie's Blog

May 30, 2011, 06:36 PM

http://jamiecobb.com

An editor's journey of challenges and insights that cover all stages of the editing process from reading the script through to picture lock.

Inside The Edit: Kill Bill Volume 1

May 30, 2011, 03:06 PM

http://jaymckinnon.com/blog/movies/inside-the-edit...

Sally Menke has been Quentin Tarantino's go-to editor since the beginning. Resevoir Dogs, Pulp Fiction, Jackie Brown, Death Proof, Inglourious Basterds and, of course, Kill Bill Vol 1and2. On a personal note, she also edited one of my favorite movies of all time: Teenage Mutant Ninja Turtles.

Post Production on The Social Network (Part 2) - A

May 30, 2011, 09:17 AM

http://manhattaneditworkshop.blogspot.com/2011/05/...

See how young assistant editor on The Social Network carved out an expanded role on the production thanks to tech savvy and knowledge of Adobe's video tools.

A Fireside Chat with Arthur Schmidt

May 29, 2011, 12:23 PM

http://www.editorsguild.com/v2/magazine/Newsletter...

In his Fireside Chat at Fox Studios on February 6, Arthur Schmidt described how his approach to editing has varied, depending on the project he was working on at the time. I listen to the film," he said. "I always try to let the film and story tell me where to go next.

Fragile Bird: City and Colour/Shantal VanSantan Mu

May 28, 2011, 05:58 PM

http://roosterpost.wordpress.com/2011/05/27/fragil...

After releasing ‘Fragile Bird’ in April, City and Colour, aka singer-songwriter Dallas Green, along with director Michael Maxxis and Rooster Post Production editor Dave De Carlo, have just finished the video for the lead single off Green’s third album, “Little Hell”. The video takes viewers to a dark brothel, similar to one that was once […]

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