Joe Walker Edits Life in a Day

March 18, 2011, 07:38 AM

http://www.moviemaker.com/editing/article/life_in_...

Editing a narrative feature is difficult enough. The logistics of it have the potential to be frustrating--the clips aren’t labelled well enough, so you can’t find that one shot you really like, and when you do find it, you can’t use it because Character A’s hair isn’t the same as in the rest of the scene. There’s a dinner scene where Character B’s eyeline is off, but you can’t cut it because then the rhythm gets thrown off and Character B’s confession to Character C in the thi...

Angus Wall and Kirk Baxter Cut The Social Network

March 18, 2011, 07:37 AM

http://www.moviemaker.com/editing/article/angus_wa...

Angus Wall and Kirk Baxter are having a good year. Their work editing David Fincher’s The Social Network garnered them both Oscar and Eddie nominations. And the film itself, in addition to being a front-runner come Oscar night, was a success with both audiences and critics. That might seem like a hard thing to accomplish with a movie that, on the surface, is about the founding of a Website. But The Social Network is less about writing computer code and drafting business plans than it is about....

Dany Cooper Talks Editing (Beneath Hill 60, Aus.)

March 17, 2011, 09:45 AM

https://www.aotg.com/dany-cooper-talks-editing-beneath-hill-60-aus/

2011 AFI Award nominated Editor Dany Cooper discusses editing and her film "Beneath Hill 60".

David Ray, Editor of Scarface, interview

March 16, 2011, 10:55 AM

https://www.aotg.com/david-ray-editor-of-scarface-interview/

It's a little shakey and out of focus (The Camera) but the content, what he is saying is quite interesting, his start, his learning process and more!

Joel Viertel’s 'Adjustment' to Cutting

March 16, 2011, 09:16 AM

https://www.editorsguild.com/magazine.cfm?ArticleI...

A new animal to the editing world was born––or at least, utilized to its fullest to date––during the shooting in New York City last spring of George Nolfi’s film The Adjustment Bureau, which opens March 4 through Universal Pictures. It doesn’t quite have a name yet—call it on-set editor or reference editor—but it’s a potential boon to continuity and might start appearing regularly in a credit scroll near you.

WINNER BAFTA 2009: Interview with Chris Dickens

March 15, 2011, 09:15 AM

https://www.aotg.com/winner-bafta-2009-interview-with-chris-dickens/

BAFTA 2009 WINNER: Exclusive Interview with Chris Dickens winner of the Award for Editing for the film Slumdog Millionaire.

Mick Audsley Discuss Ways To Prepare

March 14, 2011, 11:21 AM

https://www.aotg.com/mick-audsley-discuss-ways-to-prepare/

A preview of Roger Crittenden and film editor (Twelve Monkeys, Harry Potter and the Goblet of Fire, Interview with the Vampire: The Vampire Chronicles) Mick Audsley's 'Introduction to Editing' at the Imaginox Online Creative Academy of Film and Television. The two discuss editor prep.

What I do as a Demo Artist

March 14, 2011, 09:43 AM

http://michaelkammes.com/commentary/what-i-do-as-a...

THE FILM LAB: Editing Basics: Split-edits (Pt.3)

March 13, 2011, 05:42 PM

http://www.thesubstream.com/video-the-film-lab-spl...

Rajo hosts editor Tom, who goes "in depth" and "on point" on using split edits (L-cuts) to make dialogue scenes flow like silk.

THE FILM LAB: Editing Basics: Non-linear (Pt.2)

March 13, 2011, 05:39 PM

http://www.thesubstream.com/video-editing-basics-e...

Rajo from thesubstream.com talks about the ramifications of non-linear editing technology in The Film Lab.